Adventures in the Screen Trade

Author: William Goldman

Publisher: Hachette UK

ISBN: 1455525464

Category: Performing Arts

Page: 448

View: 3542

Now available as an ebook for the first time! No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.

Which Lie Did I Tell?

Author: William Goldman

Publisher: Vintage

ISBN: 0307764796

Category: Performing Arts

Page: 512

View: 6900

From the Oscar-winning screenwriter of All the President's Men, The Princess Bride, and Butch Cassidy and the Sundance Kid, here is essential reading for both the aspiring screenwriter and anyone who loves going to the movies. If you want to know why a no-name like Kathy Bates was cast in Misery, it's in here. Or why Linda Hunt's brilliant work in Maverick didn't make the final cut, William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse,William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining, Which Lie Did I Tell? is indispensable reading for anyone even slightly intrigued by the process of how a movie gets made.

The Right Stuff

Author: Tom Charity

Publisher: Bloomsbury Publishing

ISBN: 1839020466

Category: Performing Arts

Page: 95

View: 2508

This study places 'The Right Stuff' in the historical context of the political history of the Space Race. It explores director Philip Kaufman's subversive adventurism, his mastery of cinematic form, and the way in which the film combines the mythology of the Western with counter-cultural concerns.

The Big Picture

Author: William Goldman,Herb Gardner

Publisher: Applause Theatre & Cinema


Category: Drama

Page: 504

View: 3994

Goldman scrutinizes the Hollywood movie scene of the '90s in these essays.


Author: William Goldman

Publisher: Dell

ISBN: 0307487865

Category: Fiction

Page: 256

View: 1383

“One of those can’t-put-it-down-until-the-last-page-is-turned monsters that has readers all over the country missing sleep.”—Minneapolis Tribune Corky is a brilliant entertainer with a bright future ahead of him. He has good looks, many women, and enormous talent. He also had a secret and a certainty: a secret that must be hidden from his public at all costs; and a certainty that the dark forces of magic were out to destroy him. “Fascinating . . . This dazzling psychological thriller cannot be put down! . . . The most imaginative and enjoyable novel I've read since Marathon Man. . . . [A] bizarre journey into the world of illusion.”—St. Louis Post-Dispatch “Kept me up half the night. . . . A brilliantly alarming novel!”—Cosmopolitan

Journalism in the Movies

Author: Matthew C. Ehrlich

Publisher: University of Illinois Press

ISBN: 0252091086

Category: Performing Arts

Page: 208

View: 2750

Now in paperback, Matthew C. Ehrlich’s Journalism in the Movies is the story of Hollywood’s depiction of American journalism from the start of the sound era to the present. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. Focusing on films about key figures and events in journalism, including Mr. Smith Goes to Washington, All the President’s Men, and The Insider, Journalism in the Movies presents a unique opportunity to reflect on how movies relate not only to journalism but also American life and democracy.

Reelpolitik Ideologies in American Political Film

Author: Beverly Merrill Kelley

Publisher: Rowman & Littlefield

ISBN: 0739172085

Category: Performing Arts

Page: 256

View: 2845

Reelpolitik Ideologies in American Political Film, by Beverly Merrill Kelley, is a unique investigation that advances beyond typical left (liberal) and right (conservative) political distinctions found in most studies dealing with politics in cinema. This text offers a systematic and comprehensive study of American political films with an extensive ideological filmology. Reelpolitik Ideologies in American Political Film is an essential study of the crossroads of politics and culture.

Richard Attenborough

Author: Sally Dux

Publisher: Manchester University Press

ISBN: 1526111780

Category: Performing Arts

Page: 240

View: 6857

Richard Attenborough’s film career has stretched across seven decades; surprisingly, Sally Dux’s book is the first detailed scholarly analysis of his work as a filmmaker. Concentrating on his work behind the camera, she explores his initial role as a producer, including his partnerships with Bryan Forbes in Beaver Films (1959–64) and with Allied Film Makers (1960–64). As we know, Attenborough went on to direct twelve films, many of which achieved great acclaim, most notably Gandhi, which won eight Academy Awards in 1982 Attenborough is most renowned for his biographical films including Young Winston, Cry Freedom, Chaplin and Shadowlands, which helped to establish the genre within British cinema. Although his work has often attracted controversy, particularly regarding the representation of individuals and historical events, his films are noted for extracting acclaimed performances from unknown actors such as Ben Kingsley (Gandhi), while maintaining his moral and thematic concerns.

The Rules of Screenwriting and Why You Should Break Them

Author: Bill Mesce, Jr.

Publisher: McFarland

ISBN: 1476627711

Category: Literary Criticism

Page: 228

View: 6070

A couple of generations ago, the movie industry ran on gut instinct—film schools, audience research departments and seminars on screenwriting were not yet de rigueur. Today the standard is the analytical approach, intended to demystify filmmaking and guarantee success (or at least minimize failure). The trouble with this method is that nobody knows how to do it—they just think they do—and films are made based on models of predictability rather than the merits of the script. This insider’s look at the craft and business of screenwriting explodes some of the popular myths, demonstrating how little relevance the rules have to actual filmmaking. With long experience in film and television, the author provides insightful how-not-to analyses, with commentary by such veterans as Josh Sapan (CEO of AMC Networks), bestselling author Adriana Trigiani and Oscar–nominated screenwriter Nicholas Pileggi (Goodfellas).