After Nature

Author: Jedediah Purdy

Publisher: Harvard University Press

ISBN: 0674915690

Category: Nature

Page: 336

View: 2759


Nature no longer exists apart from humanity. The world we will inhabit is the one we have made. Geologists call this epoch the Anthropocene, Age of Humans. The facts of the Anthropocene are scientific—emissions, pollens, extinctions—but its shape and meaning are questions for politics. Jedediah Purdy develops a politics for this post-natural world.

After Nature

Author: Marilyn Strathern

Publisher: Cambridge University Press

ISBN: 9780521426800

Category: Social Science

Page: 264

View: 2754


After Nature is a timely account of fundamental constructs in English kinship at a moment when advances in reproductive technologies are raising questions about the natural basis of kinship relations.

Philosophy After Nature

Author: Rosi Braidotti,Rick Dolphijn

Publisher: Rowman & Littlefield

ISBN: 178660387X

Category: Philosophy

Page: 236

View: 2053


This volume focuses on the most urgent themes in contemporary cultural theory, namely ecology, the posthuman, and the rise of the digital in a globally interlinked world. Contributions by the most prominent voices in the field provide up-to-date and accessible introductions to complex theories.

Listening After Nature

Author: Mark Peter Wright

Publisher: Bloomsbury Publishing USA

ISBN: 1501354531

Category: Music

Page: 224

View: 5644


Listening After Nature examines the constructions and erasures that haunt field recording practice and discourse. Analyzing archival and contemporary soundworks through a combination of post-colonial, ecological and sound studies scholarship, Mark Peter Wright recodes the Field; troubles conceptions of Nature; expands site-specificity; and unearths hidden technocultures. What exists beyond the signal? How is agency performed and negotiated between humans and nonhumans? What exactly is a field recording and what are its pedagogical potentials? These questions are operated by a methodology of listening that incorporates the spaces of audition, as well as Wright's own practice-based reflections. In doing so, Listening After Nature posits a range of novel interventions. One example is the “Noisy-Nonself,” a conceptual figuration with which to comprehend the presence of reticent recordists. “Contact Zones and Elsewhere Fields” offers another unique contribution by reimaging the relationship between the field and studio. In the final chapter, Wright explores the microphone by tracing its critical and creative connections to natural resource extraction and contemporary practice. Listening After Nature auditions water and waste, infrastructures and animals, technologies and recordists, data and stars. It grapples with the thresholds of sensory perception and anchors itself to the question: what am I not hearing? In doing so, it challenges Western universalisms that code the field whilst offering vibrant practice-based possibilities.

After Nature

Author: After Nature

Publisher: N.A

ISBN: N.A

Category: Art calendars

Page: 132

View: 8741


Met de volgende kunstenaars: Peter Klashorst, Bart Domburg, Jurriaan van Hall, Ernst Voss, Aad Donker, Gijs Donker, Justus Donker.

Drawn after Nature

Author: Jan Koning,Gerda va Uffelen,Alicja Zemanek,Bogdan Zemanek

Publisher: BRILL

ISBN: 9004278001

Category: Science

Page: 368

View: 1614


Drawn after nature presents a vivid and complete picture of a unique historical collection of botanical watercolours. Botanists, art lovers, historians as well as the general public will enjoy this publication of the watercolours, their annotations and their history, but above all their supreme beauty and display of craftsmanship.

Expatriate Writing

Author: Gerhard Fischer

Publisher: Rodopi

ISBN: 9042027819

Category: History

Page: 527

View: 5960


This volume presents the work of internationally renowned scholars from Australia, Germany, Italy, South Africa, the UK and the US. The focus on W.G. Sebald¿s writing as that of an expatriate author offers a fresh and productive approach to Sebald scholarship. In one way or another, all 28 essays in this innovative, bi-lingual collection take up the notion of Sebald¿s experience as an expatriate writer: be it in the analysis of intertextual, transmedial and generic border crossings, on the ¿exposure to the other¿ and the experience of alterity, on the question of identity construction and performance, on affinities with other expatriate writers, on the recurring topics of ¿home¿, ¿exile¿, ¿dislocation¿ and ¿migration¿, or on the continuing work of ¿memory¿ to work through and to preserve the consciousness of a destructive past that has informed the childhood as much as the adult life-world of the author. Gerhard Fischer is Head of German Studies at the University of New South Wales in Sydney, Australia. His research interests and publications are in modern theatre and drama, World War I, and migration history and multiculturalism. As convenor of the Sydney German Studies Symposia, he has edited a number of volumes on modern German literature, including Heiner Müller: ConTEXTS and HISTORY (Tübingen 1995), Debating Enzensberger: Great Migration and Civil War (Tübingen 1996), and, with David Roberts, Schreiben nach der Wende: Ein Jahrzehnt deutscher Literatur, 1989¿1999 (2nd.ed. Tübingen 2008). The latest volume in the series is The Play within the Play (with Bernhard Greiner, Amsterdam/New York, NY 2007).

Inside Modernism

Author: Thomas Vargish,Delo E. Mook

Publisher: Yale University Press

ISBN: 9780300076134

Category: Literary Criticism

Page: 185

View: 4187


In this book, a professor of literature and a physicist offer a broad, new, interdisciplinary account of Modernism. Thomas Vargish and Delo E. Mook encompass physics, the visual arts and literature in a thought-provoking analysis of the period from the 1880s to World War II. Uncovering common structures and values underlying each of these disparate fields, the authors define Modernism and its historical location between nineteenth-century intellectual conventions that preceded it and the Postmodernism that followed. Bridging boundaries that traditionally divide disciplines, Vargish and Mook create a uniquely coherent and comprehensive view of the aesthetics and intellectual values that characterize the culture of Modernism.

Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair

Author: David Anderson

Publisher: Oxford University Press

ISBN: 0192586475

Category: Literary Criticism

Page: 304

View: 2142


This book situates the film-maker Patrick Keiller alongside the writers W.G. Sebald and Iain Sinclair as the three leading voices in 'English psychogeography', offering new insights to key works including London, The Rings of Saturn, and Lights Out for the Territory. Excavating social and political contexts while also providing plentiful close analysis, it examines the cultivation of a distinctive 'affective' mode or sensibility especially attuned to the cultural anxieties of the twentieth century's closing decades. Landscape and Subjectivity explores motifs including essayism, the reconciliation of creativity with market forces, and the foregrounding of an often agonised or melancholic. It asks whether the work can, collectively, be seen to constitute a 'critical theory of contemporary space' and suggests that Keiller, Sebald, and Sinclair's contributions represent a highly significant moment in English culture's engagement with landscape, environment, and itself. The book's analyses are fuelled by archival and topographical research and are responsive to various interdisciplinary contexts, including the tradition of the 'English Journey', the set of ideas associated with the 'spatial turn', critical theory, the so-called 'heritage debate', and more recent theorisation of the 'anthropocene'.