Afternoons with the Blinds Drawn

Author: Brett Anderson

Publisher: Hachette UK

ISBN: 1408711850

Category: Biography & Autobiography

Page: 288

View: 6180


'A compelling personal account of the dramas of a singular British band' Neil Tennant The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums. In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.

The Birth and Impact of Britpop

Author: Paul Laird

Publisher: White Owl

ISBN: 1399017500

Category: Music

Page: 242

View: 7708


Remember the ninteties? Of course you do. Cool Britannia, New Labour, Blur vs Oasis, Geri Halliwell’s Union Flag dress, TFI Friday, “wasssssuuuuuuppppppp”, Opal Fruits turning into Starburst without anyone asking your permission crazy times. This book doesn’t have anything to say about Geri’s dress or Opal Fruits but it has lots to say about Britpop. But this isn’t a book about the Britpop you think you know about, this is the story of a truly remarkable period of creativity in British guitar music told through the experiences of someone who was there from the first note of “Popscene” through to the run out groove of “This is Hardcore”. This is the story of the Britpop that didn’t make it onto the evening news or the cover of The Face. This is the story of the bands nobody remembers but that everybody should. This is the story of what it was like to be an outsider in 1991 and be too cool for school by 1994. This is the story of a magnesium flash in British popular music that has, for good or ill, defined British guitar music ever since. Here are Flamingoes and Pimlico, Strangelove and David Devant and His Spirit Wife, The Weekenders and Thurman and Blur, Pulp, Oasis, Sleeper and Elastica too. These are Britpop memories from someone who was actually there. The definitive story of Britpop

Popular Music Autobiography

Author: Oliver Lovesey

Publisher: Bloomsbury Publishing USA

ISBN: 1501355856

Category: Music

Page: 264

View: 5998


The 1960s saw the nexus of the revolution in popular music by a post-war generation amid demographic upheavals and seismic shifts in technology. Over the past two decades, musicians associated with this period have produced a large amount of important autobiographical writing. This book situates these works -- in the forms of formal autobiographies and memoirs, auto-fiction, songs, and self-fashioned museum exhibitions -- within the context of the recent expansion of interest in autobiography, disability, and celebrity studies. It argues that these writings express anxiety over musical originality and authenticity, and seeks to dispel their writers' celebrity status and particularly the association with a lack of seriousness. These works often constitute a meditation on the nature of postmodern fame within a celebrity-obsessed culture, and paradoxically they aim to regain the private self in a public forum.

A Blush of Maidens, A Foolishness of Old Men

Author: William D Skees

Publisher: William D. Skees

ISBN: 0595421377

Category: Fiction

Page: 312

View: 9286


The small-town South and tobacco land. Incest, suicide, love, old men, old ways, Blacks, white folks, the Nixon administration from inside, travelling behind the Iron Curtain. Life ashore and at sea. Making fine art. WWII homecoming. Short stories, poems and essays in the manner of William Faulkner and Eudora Welty.

Albion's Secret History

Author: Guy Mankowski

Publisher: John Hunt Publishing

ISBN: 1789040299

Category: Music

Page: 152

View: 1402


Albion's Secret History compiles snapshots of English pop culture’s rebels and outsiders, from Evelyn Waugh to PJ Harvey via The Long Blondes and The Libertines. By focusing on cultural figures who served to define England, Guy Mankowski looks at those who have really shaped Albion’s secret history, not just its oft-quoted official cultural history. He departs from the narrative that dutifully follows the Beatles, The Sex Pistols and Oasis, and, by instead penetrating the surface of England’s pop history (including the venues it was shaped in), throws new light on ideas of Englishness. As well as music, Mankowski draws from art, film, architecture and politics, showing the moments at which artists like Tricky and Goldfrapp altered our sense of a sometimes green but sometimes unpleasant land. 'The most illuminating odyssey through lost, hidden or forgotten English pop culture since Michael Bracewell's England Is Mine.' Rhian E. Jones, author of Clampdown: Pop-Cultural Wars on Class and Gender

The Red Kettle

Author: Janelle Scott

Publisher: Trafford Publishing

ISBN: 1490759867

Category: Fiction

Page: 210

View: 8839


Carolines parents are killed in a tragic motor vehicle accident and she is left alone, except for her dog, Hurry. She is inexperienced in matters of the heart, lonely since her parents deaths and marries a work colleague, Owen. She knows that this is not a match made in heaven, but goes ahead with the wedding against her better judgment. He bullies her and when she is pregnant with their child, he ignores her existence. After Gavin is born Caroline knows that if she is to have any chance of a better life, she needs to find a way to earn some money and put it away where her husband wont find it. Owen hates the shiny red kettle that sits on the kitchen bench and is a constant reminder to him of Carolines former life. This is where she secretes the money she makes at her part-time job. Margie, the owner of the coffee shop for whom Caroline secretly bakes cookies, asks her what she is saving up for. Caroline answers Freedom.

Faster Than A Cannonball

Author: Dylan Jones

Publisher: Hachette UK

ISBN: 147462460X

Category: Music

Page: 496

View: 1890


Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of The Bends, the year Danny Boyle started filming Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference. Not only was the mid-Nineties perhaps the last time that rock stars, music journalists and pop consumers held onto a belief in rock's mystical power, it was a period of huge cultural upheaval - in art, literature, publishing and drugs. And it was a period of almost unparalleled hedonism, a time when many people thought they deserved to live the rock and roll lifestyle, when a generation of narcotic omnivores thought they could all be rock stars just by buying a magazine and a copy of (What's the Story) Morning Glory? Faster Than a Cannonball is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year - The Bends by Radiohead, Grand Prix by Teenage Fanclub, Maxinquaye by Tricky, Different Class by Pulp, The Great Escape by Blur, It's Great When You're Straight... Yeah! by Black Grape, Exit Planet Dust by the Chemical Brothers, I Should Coco by Supergrass, Elastica by Elastica, Pure Phase by Spiritualized, ...I Care Because You Do by Aphex Twin and of course (What's the Story) Morning Glory by Oasis, the most iconic album of the decade.