Author: Uzi Rebhun

Publisher: Oxford University Press

ISBN: 0199363498

Category: Religion

Page: 388

View: 7907

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"The Avraham Harman Institute of Contemporary Jewry, The Hebrew University of Jerusalem."

Author: Brian Doherty

Publisher: Abrams

ISBN: 1647001102

Category: Comics & Graphic Novels

Page: 448

View: 9623

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A COMPLETE NARRATIVE HISTORY OF THE WEIRD AND WONDERFUL WORLD OF UNDERGROUND COMIX In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips was printed on out-of-date machinery, published in zines and underground newspapers, and distributed in head shops, in porno stores, and on street corners. Comix often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement that came to define “cool.” Via dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s and the rivalries, ideological battles, and conflicts that flourished. Beginning with the artists’ origin stories and following them through successes, including Spiegelman’s Pulitzer Prize winning Maus and the feminist collective Wimmen’s Comix, and through strife, from S. Clay Wilson’s spiral into alcoholism to Disney’s war on the Air Pirates comix collective to Crumb’s uneasy relationship with success as social mores turned against his often-shocking use of sexual and racial imagery, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.

Author: Art Spiegelman

Publisher: National Geographic Books

ISBN: 037542394X

Category: Comics & Graphic Novels

Page: 0

View: 741

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***NATIONAL JEWISH BOOK AWARD WINNER*** Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

Author: Hillary L. Chute

Publisher: Harvard University Press

ISBN: 0674495667

Category: Literary Criticism

Page: 371

View: 9764

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In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.

Author: Caroline Mae Stidworthy,Dr. Catherine C. Cupps,Christopher A. Yates

Publisher: Lulu.com

ISBN: 1304033538

Category: Comic books, strips, etc

Page: 43

View: 2116

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The Foundation Studies program is the first step on the four-year path towards completing a Bachelor of Fine Arts degree. During this year, a student works to strengthen the fundamental capabilities needed to become a successful creative professional. Using Art Spiegelman's as inspiration, this year's Foundation Studies students created the response artworks in this gallery catalogue. Just as Maus changed the world of comics, these first year students are changing their individual techniques of art, striving to grow and perceive themselves as professional artists.

Author: Shelbie Witte,Melissa Gross,Don Latham

Publisher: ABC-CLIO

ISBN: 1440877505

Category: Language Arts & Disciplines

Page: 200

View: 780

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This volume explains how analyzing textual elements that aren't part of the text but connected to it can be used with K–16 students to improve comprehension, engagement, critical thinking, and media literacy. Beginning with an introduction that briefly explains Genette's theory of paratext and discusses the functions of epitext theory, this book comprises theory-to-practice chapters that showcase ways in which teachers and librarians can use elements independent of a text to discuss texts and media with students. Chapters include a practitioner's section specifying practical approaches and explanations for how to use epitext. Scaffolding an application of theory to practice, this title provides educators with an original approach to increasing literacy engagement and integration as well as for increasing media literacy and critical thinking. It includes practical ideas for using epitext in the classroom to promote critical thinking and for collaboration between teachers and librarians. It also includes editorial sidebars that provide additional "how-to" ideas, support deep thinking, make connections to relevant content in other chapters, and provide examples for students in K–16 classrooms. Explains how epitext can be used to scaffold understanding by providing summaries of content, interpretations, criticisms, and appreciations others share about the work Demonstrates the creative process by following the trail of the production of a work Helps students to explore and use various media to complement and extend their experience of a work

Author: Christopher K. Brooks

Publisher: Cambridge Scholars Publishing

ISBN: 1443863580

Category: Literary Criticism

Page: 195

View: 5677

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Beyond Postmodernism: Onto the Postcontemporary is a collection designed to provide the reader with an alternative to viewing the world through the lens of Postmodernism. Contributors to this collection utilize and define such critical tools as transhumanism, post-post theory, posthumanism, and postcontemporary theory. Other essays focus on interpreting texts or genres, yielding impressive conclusions that were “beyond” the scope of postmodern discourse. Eclectic in nature, while examining works as diverse as Julia Ward Howe’s The Hermaphrodite and Salman Rushdie’s Satanic Verses, yet unified in a commonsensical statement that postmodernism has perhaps ruled too long in critical discussions, this collection is also designed to attract those seeking or awaiting something new in critical methodology to consider joining in the postcontemporary dialogue.

Author: Jeff McLaughlin

Publisher: Univ. Press of Mississippi

ISBN: 1496813286

Category: Literary Criticism

Page: 228

View: 9414

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Contributions by Eric Bain-Selbo, Jeremy Barris, Maria Botero, Manuel "Mandel" Cabrera Jr., David J. Leichter, Ian MacRae, Alfonso Munoz-Corcuera, Corry Shores, and Jarkko S. Tuusvuori In a follow-up to Comics as Philosophy, international contributors address two questions: Which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each contributor ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding. Jeff McLaughlin collects a range of essays to examine notable graphic novels within the framework posited by these two questions. One essay discusses how a philosopher discovered that the panels in Jeff Lemire's Essex County do not just replicate a philosophical argument, but they actually give evidence to an argument that could not have existed otherwise. Another essay reveals how Chris Ware's manipulation of the medium demonstrates an important sense of time and experience. Still another describes why Maus tends to be more profound than later works that address the Holocaust because of, not in spite of, the fact that the characters are cartoon animals rather than human. Other works contemplated include Will Eisner's A Contract with God, Alan Moore and David Lloyd's V for Vendetta, Alison Bechdel's Fun Home, and Joe Sacco's Footnotes in Gaza. Mainly, each essay, contributor, graphic novelist, and artist are all doing the same thing: trying to tell us how the world is--at least from their point of view.

Author: Jeffrey SJ Kirchoff,Mike P. Cook

Publisher: McFarland

ISBN: 1476671885

Category: Literary Criticism

Page: 258

View: 7806

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This collection of new essays explores various ways of reading, interpreting and using digital comics. Contributors discuss comics made specifically for web consumption, and also digital reproductions of print-comics. Written for those who may not be familiar with digital comics or digital comic scholarship, the essays cover perspectives on reading, criticism and analysis of specific titles, the global reach of digital comics, and how they can be used in educational settings.

Author: Dominic Davies,Candida Rifkind

Publisher: Springer Nature

ISBN: 3030379981

Category: Comics & Graphic Novels

Page: 352

View: 3444

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Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.