Motel Chronicles

Author: Sam Shepard

Publisher: City Lights Books

ISBN: 0872868443

Category: Biography & Autobiography

Page: 110

View: 7974


Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a living legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival. " . . . essential reading. A scrapbook of short stories, autobiographical reveries, poetry and photographs, Motel Chronicles is full of verbal delights, as well as insights into its author's entire canon. Whether Mr. Shepard is reminiscing about his parents or daydreaming about cherished movies and cars of his youth, he speaks in pungent and ethereal language that remakes our West. Read in conjunction with the plays, Motel Chronicles also helps demystify the origins of Mr. Shepard's psychological obsessions and desolate frontier iconography."—Frank Rich, New York Times "If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and half from the works of Sam Shepard."—Time "Sam Shepard is a shaman—a New World shaman. Sam is as American as peyote, magic mushrooms, Rock and Roll, and medicine bundles."—Jack Gelber Sam Shepard (1943) is a playwright, actor, author, screen writer and director whose work is performed on and off Broadway and in other theaters across the country. In 1979, he received the Pulitzer Prize for Drama for his play Buried Child. In 1983, he was nominated for an Academy Award for Best Supporting Actor in The Right Stuff. His other famous works include True West, A Lie of the Mind and Curse of the Starving Class. Fool For Love & the Sad Lament of Pecos Bill by Sam Shepard was also published by City Lights Publishers.

Mapping the Private Geography

Author: Gerri Reaves

Publisher: McFarland

ISBN: 9780786450688

Category: Literary Criticism

Page: 168

View: 8043


This study of autobiographical writing and its reflection of personal and national identity analyzes the different ways in which these authors balance individual American identity with collective identities and reinvent their familial, cultural, and national engenderings. In each of the works discussed, a private geography - a psychological map, a myth, an ideology, or a fiction - is posited, while its author explores claims to the ownership of memory, history, and the self.

The American Roadside in Émigré Literature, Film, and Photography

Author: Elsa Court

Publisher: Springer Nature

ISBN: 3030367339

Category: Literary Criticism

Page: 193

View: 7767


The American Roadside in Émigré Literature, Film, and Photography: 1955–1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male émigré narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Augé and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America.

Sam Shepard

Author: Harold Bloom

Publisher: Infobase Publishing

ISBN: 1438116462

Category:

Page: 114

View: 5267


Sam Shepard is one of America's most prolific dramatists, as well as a screenplay writer, memoirist, and successful film actor. His irreverent, satirical, and nostalgic treatment of American popular culture has attracted a cult following as well as the re

Rereading Shepard

Author: Leonard Wilcox

Publisher: Springer

ISBN: 1349225096

Category: Literary Criticism

Page: 229

View: 8920


Rereading Shepard draws together 13 original theoretical perspectives on one of America's most important contemporary playwrights. Representing a range of critical appraoches - including semiotics, deconstruction, and feminism - the essays address recent debates emerging in Shepard criticism. These include the status of Shepard's texts within the modernist tradition on the one hand and a developing post-modernism on the other, and the feminist debate over Shepard's drama - does it reinforce a masculinist world or does it provide some oppositional stance toward patriarchal 'master narratives'?

Dis/figuring Sam Shepard

Author: Johan Callens

Publisher: Peter Lang

ISBN: 9789052013527

Category: Performing Arts

Page: 276

View: 4416


This illustrated volume covers the career of Sam Shepard, the provocative American playwright, scriptwriter, actor, and director, through an introductory survey followed by in-depth analyses of representative selections from the one-acts (Action, States of Shock), experimental collaborations with Joseph Chaikin (Savage/Love), and by now classic family plays (Buried Child, A Lie of the Mind). It ranges from Shepard's unpublished adaptation of Marlowe's Doctor Faustus through the textual variants and political context of Operation Sidewinder to Robert Altman's movie version of Fool for Love, besides offering brief comparisons with fellow dramatists (Albee and Beckett) and visual artists (Edward Weston, Marsden Hartley). Several performance analyses supplement the textual criticism and provide a sample of European directorial approaches. Together, these takes offer a composite picture of an artist whose output over the past forty years has turned him into a figurehead of twentieth century drama, studied and produced all over the world with a keen eye for his idiosyncratic and critical view of what it means to be American.

Sam Shepard V8

Author: Johan Callens

Publisher: Routledge

ISBN: 1135299056

Category: Performing Arts

Page: 116

View: 4436


These issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.

Plays, Movies, and Critics

Author: Jody McAuliffe

Publisher: N.A

ISBN: N.A

Category: Performing Arts

Page: 292

View: 4748


This exceptional collection explores the mutual concerns of dramatic theater, film, and those who comment on them. Plays, Movies, and Critics opens with an original play by Don DeLillo. In the form of an interview, DeLillo's short play works as a kind of paradigm of the theatrical or cinematic event and serves as a keynote for the volume. DeLillo's interview play is accompanied in this collection by interviews with theater director Roberta Levitow, Martin Scorsese, and film/theater critic Stanley Kauffmann. Other contributions include a critical look at the current American theater scene, analyses of the place of politics in the careers of G. B. Shaw and Luigi Pirandello, a compelling reading of Chekhov's "The Seagull", a detailed inquiry into the obsessions that energize the works of Sam Shepard, provocative reinterpretations of the films Mean Streets and The Sheltering Sky, and a translation of André Bazin's important piece on theology and film. Originally published as a special issue of South Atlantic Quarterly (Spring 1992), this book has been expanded to include a new introduction by the editor and an afterword by Jonathan Kalb. Contributors. André Bazin, Robert Brustein, Bert Cardullo, Anthony DeCurtis, Don DeLillo, Jesse Ward Engdhal, Richard Gilman, Jim Hosney, Mame Hunt, Jonathan Kalb, Stanley Kauffmann, Jody McAuliffe, Mary Ann Frese Witt, Jacquelyn Wollman, David Wyatt

The Cambridge Companion to Sam Shepard

Author: Roudane

Publisher: Cambridge University Press

ISBN: 9780521777667

Category: Drama

Page: 329

View: 4678


Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and academic backgrounds explore the various aspects of Shepard's career - his plays, poetry, music, fiction, acting, directing and film work. The volume covers the major plays, including Curse of the Starving Class, Buried Child, and True West, as well as other lesser known but vitally important works. A thorough chronology of Shepard's life and career, together with biographical chapters, a note from the legendary Joseph Chaikin, and an interview with the playwright, give a fascinating first-hand account of an exuberant and experimental personality.

Two Prospectors

Author: Sam Shepard,Johnny Dark

Publisher: University of Texas Press

ISBN: 0292761961

Category: Literary Collections

Page: 399

View: 6070


Sam Shepard is arguably America’s finest working dramatist, as well as an accomplished screenwriter, actor, and director. Winner of a Pulitzer Prize, he has written more than forty-five plays, including True West, Fool for Love, and Buried Child. Shepard has also appeared in more than fifty films, beginning with Terrence Malick’s Days of Heaven, and was nominated for an Academy Award for his performance in The Right Stuff. Despite the publicity his work and life have attracted, however, Shepard remains a strongly private man who has said many times that he will never write a memoir. But he has written intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark, who has been Shepard’s closest friend, surrogate brother (they’re nearly the same age), and even artistic muse for forty-five years and counting. Two Prospectors gathers nearly forty years of correspondence and transcribed conversations between Shepard and Dark. In these gripping, sometimes gut-wrenching letters, the men open themselves to each other with amazing honesty. Shepard’s letters give us the deepest look we may ever get into his personal philosophy and creative process, while in Dark’s letters we discover insights into Shepard’s character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard’s anguished decision to leave his wife and son—Dark’s stepdaughter and grandson—for actress Jessica Lange), personal struggles, and accumulating years. Illustrated with Dark’s candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters, Two Prospectors is a compelling portrait of a complex friendship that has anchored both lives for decades, a friendship also poignantly captured in Treva Wurmfeld’s film, Shepard & Dark.