Shakespeare's Syndicate

Author: Ben Higgins,Departmental Lecturer in English Literature Ben Higgins

Publisher: Oxford University Press

ISBN: 0192848844

Category: Booksellers and bookselling

Page: 310

View: 4589

In 1623 a team of stationers published what has become the most famous volume in English literary history: William Shakespeare's First Folio. Who were these publishers and how might their stories be bound up with those found within the book they created? Ben Higgins offers a radical new account of the First Folio by focusing on these four publishing businesses that made the volume. By moving between close scrutiny of the Folio publishers and a wider view of their significance within the early modern book trade, Higgins uses Shakespeare's stationers to explore the 'literariness' of the Folio; to ask how stationers have shaped textual authority; to argue for the interpretive potential of the 'minor' Shakespearean bookseller; and to examine the topography of Shakespearean publication. Drawing on a host of fresh primary evidence from a wide range of sources, including court records, manuscript letters, bookseller's bills, and the literature itself, Shakespeare's Syndicate illuminates our understanding of how this landmark volume was made and what it has meant to scholars since. Moreover, it models exciting new ways of working with stationers and of reading the event of early modern publication itself. This innovative study demonstrates that despite four hundred years of history, the volume at the centre of Shakespeare's canon continues to generate new stories.

Shakespeare's Originality

Author: John Kerrigan

Publisher: Oxford University Press

ISBN: 0198793758

Category: Creation (Literary, artistic, etc.)

Page: 182

View: 9356

This compact, engaging book puts Shakespeare's originality in historical context and looks at how he worked with his sources: the plays, poems, chronicles and romances on which his own plays are based.

Much Ado About Nothing: Language and Writing

Author: Indira Ghose

Publisher: Bloomsbury Publishing

ISBN: 1472580990

Category: Drama

Page: 192

View: 9054

Much Ado About Nothing presents a world of glittering surfaces and exquisite social performances. The language of the play sparkles with a fireworks of wit and dazzling bouts of repartee, most memorably in the "merry war" of words between the reluctant lovers, Benedick and Beatrice. A closer look at the language of the play, however, reveals it to be laced with violence and charged with the desire to humiliate others. Wit is deployed as a weapon to ridicule one's opponent; much of the humour circulates incessantly around the theme of cuckoldry, a major source of male anxiety in the period. The most drastic use of language is to slander Hero by accusing her of a lack of chastity - an accusation that spelt social death for a woman in the early modern age. The death that Hero feigns mirrors accurately the devastating effects of the assassination of her character by the smart set of young noblemen in the play. This study guide focuses on examining the array of the uses of language that the play displays, and probes into the ideas about language that it explores. The book looks at key film versions of the play by Kenneth Branagh and Joss Whedon which are often used on courses, whilst also offering practical questions and tips to help students develop their own critical writing skills and deepen their understanding of the play.

The Arden Research Handbook of Contemporary Shakespeare Criticism

Author: Evelyn Gajowski

Publisher: Bloomsbury Publishing

ISBN: 1350093238

Category: Literary Criticism

Page: 392

View: 5567

The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and cognitive ethology all receive detailed treatment. In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.

Shakespeare / Text

Author: Claire M. L. Bourne

Publisher: Bloomsbury Publishing

ISBN: 1350128163

Category: Literary Criticism

Page: 464

View: 9781

Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.

Much Ado About Nothing: A Critical Reader

Author: Deborah Cartmell,Peter J. Smith

Publisher: Bloomsbury Publishing

ISBN: 1474284388

Category: Literary Criticism

Page: 280

View: 7493

This volume offers an accessible and thought-provoking guide to this major Shakespearean comedy, surveying its key themes and evolving critical preoccupations. It also provides a detailed and up-to-date history of the play's rich stage and screen performance, looking closely at major contemporary performances, including Josie Rourke's film starring David Tennant and Catherine Tate, Vanessa Redgrave and James Earl Jones at the Old Vic, and the RSC's recent rebranding of it as a sequel. Moving through to four new critical essays, the guide opens up fresh perspectives, including contemporary directors' deployment of older actors within the lead roles, the play's relationship to Love's Labour's Lost, its presence on Youtube and the ways in which tales and ruses in the play belong to a wider concern with varieties of crime. The volume finishes with a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.

Words that Tear the Flesh

Author: Stephen Alan Baragona,Elizabeth Louise Rambo

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 3110563258

Category: History

Page: 386

View: 9956

The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.

Shakespeare and Costume in Practice

Author: Bridget Escolme

Publisher: Springer Nature

ISBN: 3030571491

Category: Literary Criticism

Page: 215

View: 2457

What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.

Shakespeare on the Arabian Peninsula

Author: Katherine Hennessey

Publisher: Springer

ISBN: 1137584718

Category: Literary Criticism

Page: 340

View: 2996

Since the turn of the millennium, the Arabian Peninsula has produced a remarkable series of adaptations of Shakespeare. These include a 2007 production of Much Ado About Nothing, set in Kuwait in 1898; a 2011 performance in Sharjah of Macbeth, set in 9th-century Arabia; a 2013 Yemeni adaptation of The Merchant of Venice, in which the Shylock figure is not Jewish; and Hamlet, Get Out of My Head, a one-man show about an actor’s fraught response to the Danish prince, which has been touring the cities of Saudi Arabia since 2014. This groundbreaking study surveys the surprising history of Shakespeare on the Arabian Peninsula, situating the current flourishing of Shakespearean performance and adaptation within the region’s complex, cosmopolitan, and rapidly changing socio-political contexts. Through first-hand performance reviews, interviews, and analysis of resources in Arabic and English, this volume brings to light the ways in which local theatremakers, students, and scholars use Shakespeare to address urgent regional issues like authoritarianism, censorship, racial discrimination and gender inequality.