What Is Narratology?

Author: Tom Kindt,Hans-Harald Müller

Publisher: Walter de Gruyter

ISBN: 3110202069

Category: Literary Criticism

Page: 378

View: 7477


“What Is Narratology?” sees itself as contributing to the intensive international discussion and controversy on the structure and function of narrative theory. The 14 papers in the volume advance proposals for determining the object of narratology, modelling its concepts and characterising its status within cultural studies.

Narratology

Author: Mieke Bal,Christine van Boheemen

Publisher: University of Toronto Press

ISBN: 080209631X

Category: Literary Criticism

Page: 264

View: 3350


Índice abreviado: 1. Text: words and other signs 2. Story: aspects 3. Fabula: elements. Afterword: theses on the use of narratology for cultural analysis.

Narratology Beyond Literary Criticism

Author: Jan Christoph Meister,Tom Kindt,Wilhelm Schernus

Publisher: Walter de Gruyter

ISBN: 3110183528

Category: Literary Criticism

Page: 296

View: 646


This anthology presents the results of the Second International Colloquium of the Narratology Research Group (Hamburg University). It engages in the exploration of approaches that broaden Narratology's realm. The contributions illustrate the transcendence of traditional models common to Narratology. They also reflect on the relevance of such a 'going beyond' as seen in more general terms: What interrelation can be observed between re-definition of object domain and re-definition of method? What potential interfaces with other methods and disciplines does the proposed innovation offer? Finally, what are the repercussions of the proposed innovation in terms of Narratology's self-definition? The innovative volume facilitates the inter-methodological debate between Narratology and other disciplines, enabling the conceptualization of a Narratology beyond traditional Literary Criticism.

Medieval Narratives and Modern Narratology

Author: Evelyn Birge Vitz

Publisher: NYU Press

ISBN: 9780814787663

Category: Literary Criticism

Page: 228

View: 4963


This is a very interesting collection of topics that centers on critical methodologies and the central problems of medieval alterity.

Current Trends in Narratology

Author: Greta Olson

Publisher: Walter de Gruyter

ISBN: 3110255006

Category: Literary Criticism

Page: 375

View: 1126


Current Trends in Narratology offers an overview of cutting-edge approaches to theories of storytelling. The introduction details how new emphases on cognitive processing, non-prose and multimedia narratives, and interdisciplinary approaches to narratology have altered how narration, narrative, and narrativity are understood. The volume also introduces a third post-classical direction of research ‑ comparative narratology ‑ and describes how developments in Germany, Israel, and France may be compared with Anglophone research. Leading international scholars including Monika Fludernik, Richard Gerrig, Ansgar Nünning, John Pier, Brian Richardson, Alan Palmer, and Werner Wolf describe not only their newest research but also how this work dovetails with larger narratological developments.

Narratology in the Age of Cross-Disciplinary Narrative Research

Author: Sandra Heinen,Roy Sommer

Publisher: Walter de Gruyter

ISBN: 3110222434

Category: Literary Criticism

Page: 317

View: 8261


Narrative Research, once the domain of structuralist literary theory, has over the last 15 years developed into an international and interdisciplinary field. It is now commonly agreed that storytelling functions as a fundamental cognitive tool for sense-making and meaning production, and that human beings structure and communicate lived experience through oral, written and visual stories. Entitled Narratology in the Age of Cross-Disciplinary Narrative Research, this volume collects fifteen essays which look at narrative and narrativity from various perspectives, including literary studies and hermeneutics, cognitive theory and creativity research, metaphor studies, film theory and intermediality, as well as memory studies, musicology, theology and psychology. The topics touch on a wide range of issues, such as the current state of narratology and its potential for development, narrativity in visual and auditive art forms, the cultural functions of narrative, and the role of narrative concepts across the disciplines. The volume introduces interested newcomers to the ongoing debate, reflecting the diversity of research questions and methodological approaches involved. It takes a critical, yet cautiously optimistic stance with regard to the potential for interdisciplinary collaboration between narrative researchers, and invites experienced readers from any discipline interested in narrative to join this important debate, which promotes the exchange of ideas, concepts and methods between the humanities and the social sciences.

Handbook of Narratology

Author: Peter Hühn,Jan Christoph Meister,John Pier,Wolf Schmid

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 3110382075

Category: Literary Criticism

Page: 954

View: 6831


This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition.Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.

Narratology and Interpretation

Author: Jonas Grethlein,Antonios Rengakos

Publisher: Walter de Gruyter

ISBN: 3110214539

Category: Literary Criticism

Page: 637

View: 9628


The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The articles make a contribution to the theory of narrative as well as to our understanding of ancient literature including epic, lyric, tragedy and historiography.

Narratology and Classics

Author: Irene J. F. de Jong

Publisher: Oxford University Press, USA

ISBN: 0199688699

Category: History

Page: 256

View: 4564


Narrative is an important element in our daily life and the novel is arguably the most popular genre of our times. The theory of narrative or narratology, which was developed in the 1960s, has helped us towards a better understanding of the how and why of narrative. Narratology and Classics is the first introduction to narratology that deals specifically with classical narrative: epic, historiography, biography, the ancient novel, but also the many narratives inserted in drama or lyric. The first part of the volume sketches the rise of narratology, and defines key narratological terms, illustrated with examples from both modern novels and Greek and Latin texts. Among the topics discussed are the identity of the role of narrator and narratees, tales within tales, metalepsis, temporal devices such as prolepsis and analepsis, retardation and acceleration, repetition and gaps, focalisation, and the thematic, symbolic, or characterising functions of space. The second part of the volume offers three close readings of famous classical texts and shows how the interpretation of these texts can be enriched by the use of narratology. The aim of this practical guide is to initiate its readers quickly into a literary theory that has established itself as a powerful new instrument in the classicist's toolkit. All concepts are clearly defined and illustrated from Greek and Latin texts, and detailed bibliographies at the end of each chapter point the way to theoretical studies and to further narratological studies of classical texts.

Animal Narratology

Author: Joela Jacobs

Publisher: MDPI

ISBN: 3039283480

Category: Social Science

Page: 454

View: 4838


Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.