Photography After Frank

Author: Philip Gefter

Publisher: N.A

ISBN: 9781597110952

Category: Biography & Autobiography

Page: 223

View: 6464

In Photography After Frank, former New York Times writer and picture editor Philip Gefter presents the tale of contemporary photography, starting with a pivotal moment: Robert Franks seminal work in the 1950s. Along the way, he connects the dots of photographys transformation into what it is today. Gefter begins with Franks challenge to the notion of photographys objectivity with the grainy, off-handed spontaneity of The Americans. Next comes the staged document and postmodernisms further challenge to image fidelity. Other themes are photojournalism, the diversity of portraiture, the influence of private and corporate collections on curatorial decisions, and how the market shapes art making. Throughout the book, Gefter deftly connects Franks legacy with the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefters critical writings, reviews, and even obituaries. Photography After Frank offers a page-turning yet journalistic approach bound to appeal to students and artworld aficionados, alike.

Frank Hurley: A Photographer's Life

Author: Alasdair McGregor

Publisher: National Library of Australia

ISBN: 0642279330

Category: Photography

Page: 472

View: 9941

Photographer, filmmaker, writer, adventurer. Controversial, passionate, audacious. Frank Hurley was an extraordinary Australian, possibly most famous for his Antarctic photographs captured alongside expeditioners Sir Douglas Mawson and Sir Ernest Shackleton. From the early twentieth century until his death in 1962 Hurley created a stunning visual archive that chronicled the major events of the twentieth century, and Australia's achievements both home and overseas. This book and the Hurley Collection in the National Library of Australia make clear this outstanding contribution and the lengths to which the man would go in order to convey the gravity of events. For Hurley, image-making and exploration went hand-in-hand and he sought out experiences as a pioneer documentary film-maker, official photographer in two world wars, early aviator, and adventure and story-seeker in both the natural environment and in rapidly disappearing non-western worlds. In this readable, definitive and wonderfully illustrated re-issued biography, Alasdair McGregor describes Hurley's life and character in all its richness.

What Do Pictures Want?

Author: W. J. T. Mitchell

Publisher: University of Chicago Press

ISBN: 022624590X

Category: Art

Page: 408

View: 582

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

Train Your Gaze

Author: Roswell Angier

Publisher: Routledge

ISBN: 1000211347

Category: Photography

Page: 272

View: 7633

Focusing on the presence of the photographer’s gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.Fully updated to take into account advances in creative work and photographic technology, this second edition also includes stunning new visuals and a discussion on the role of social media in the practice of portraiture.Each chapter includes a practical assignment, designed to help you explore various kinds of portrait photography and produce a range of different styles for your creative portfolio.

The Violence of the Image

Author: Liam Kennedy,Caitlin Patrick

Publisher: Routledge

ISBN: 1000213404

Category: Art

Page: 304

View: 7123

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

Photography and Jewish History

Author: Amos Morris-Reich

Publisher: University of Pennsylvania Press

ISBN: 0812298527

Category: History

Page: 249

View: 7573

It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in which our understanding of the relationship between history and photography can be theorized and reoriented. Morris-Reich here turns to five twentieth-century cases in which photography and Jewish history intersect: Albert Kahn’s utopian attempt to establish a photographic archive in Paris in order to advance world peace; the spectacular failed project of Helmar Lerski, the most prominent photographer in British Mandate Jewish Palestine; photography in the long career of Eugen Fischer, a Nazi professor of genetics; the street photography of Robert Frank; and the first attempt to introduce photography into the study of Russian Jewry prior to World War I, as seen from the post-Holocaust perspective of the early twenty-first century. Illustrated with nearly 100 images, Photography and Jewish History moves beyond a focus on Jewish photographers or the photographic representation of Jews or Jewish visibility to plumb the deeper and more significant registers of twentieth-century Jewish political history.

Photography and the Contemporary Cultural Condition

Author: Peter D. Osborne

Publisher: Routledge

ISBN: 1317817273

Category: Photography

Page: 194

View: 853

In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilised by much important photographic work of the last three decades.

Best AltWeekly Writing 2009 & 2010

Author: Mike Association of Alternative Newsweeklies

Publisher: Northwestern University Press

ISBN: 0810127377

Category: Language Arts & Disciplines

Page: 448

View: 8995

Alternative newsweeklies have long covered the most provocative stories with some of the country's sharpest writing and reporting. And with the decline of the mainstream media, alternative weeklies now serve as a bulwark against the disappearance of local print coverage. Best AltWeekly Writing 2009 & 2010, edited by the Association of Alternative Newsweeklies (AAN), showcases articles that won the AAN's AltWeekly Awards in 2009 and 2010. These pieces embody the in-depth investigative journalism, narrative style, and defiant viewpoints that have made alternative newsweeklies an essential part of our media landscape. Included are music criticism from the Village Voice and election coverage from City Pages and the Texas Observer, as well as news and features from Westword, Washington City Paper, the Arkansas Times, Folio Weekly, and LEO Weekly. Pieces are accompanied by interviews with the reporters who wrote them, giving an insider's look at the story behind the story.

Photography after Photography

Author: Abigail Solomon-Godeau

Publisher: Duke University Press

ISBN: 0822373629

Category: Photography

Page: 288

View: 983

Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.