Room Full of Mirrors

Author: Charles R. Cross

Publisher: Hachette UK

ISBN: 1401382819

Category: Music

Page: 400

View: 7222


It has been more than thirty-five years since Jimi Hendrix died, but his music and spirit are still very much alive for his fans everywhere. Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. Using never-before-seen documents and private letters, and based on hundreds of interviews with those who knew Hendrix--many of whom had never before agreed to be interviewed--Room Full of Mirrors unlocks the vast mystery of one of music's most enduring legends.

A Room Full of Mirrors

Author: Keiko Ikeda

Publisher: Stanford University Press

ISBN: 9780804734356

Category: Education

Page: 205

View: 5384


Drawing on candid personal narratives derived from reunions ranging from the fifth to the fiftieth, this pathbreaking book demonstrates that for many Americans the high school reunion is a rich, poignant experience and a dramatic moment in the construction of self and meaning in adulthood.

Greenwich Village 1963

Author: Sally Banes

Publisher: Duke University Press

ISBN: 9780822313915

Category: Art

Page: 308

View: 7204


This book does not aim to document comprehensively the extraordinarily rich activity in New York City in the early 1960's. Instead, the author focuses on one year, 1963. This was the most productive year of the period 1958-64, the transition between the Fifties and Sixties. The author also focuses on one other place---Greenwich Village in lower Manhattan. For it was primarily here, in a place already historically and culturally mythologized as avant-garde terrain, that the emerging generation of vanguard artists lived, worked, socialized, and remade the history of the avant-garde. - from the Introduction.

Jimi Hendrix: 'Talking'

Author: Tony Brown

Publisher: Omnibus Press

ISBN: 0857127365

Category: Music

Page: 140

View: 3289


Jimi Hendrix is still widely revered as the most gifted guitarist in the history of rock. His fluency on an electric guitar was breathtaking, and he had a way with words that somehow paralleled his music. Fortunately, Jimi gave many interviews during his short life. Here is what he had to say... I used to like to paint. At school the teacher used to say 'Paint three scenes'. And I'd do abstract stuff like Martian sunsets.Because I didn't have a cent in my pocket, I walked into the first recruitment office I saw and went into the army. Anyway my discharge come through... and I found myself with my duffle bag and three or four hundred dollars in my pocket. I went in this jazz joint and had a drink, liked it and stayed. I came out of that place with sixteen dollars left... All I can do I thought is get a guitar and try to find work. Woodstock was groovy and all that, but anybody can get a field and put lots of kids in there and put band after band on. I don't particularly like the idea of groups after groups. It all starts merging together. Music is religion for me. There'll be music in the hereafter, too. Many say they can understand themselves better when they take LSD. Rubbish! They're idiots, who talk like that. I had one [car] back home, but a girl-friend wrecked it. She ran it straight through a hamburger joint. After that, I started to devote more times to my music than to girls. Yeah, I never did want to go to the moon too much. I always wanted to go to Saturn or Venus, or something like that. I believe that maybe in one sense we might be nothing but little ants to them, you know.

Jimi Hendrix

Author: Dale Evva Gelfand,Sean Piccoli

Publisher: Infobase Publishing

ISBN: 1438100841

Category: African American rock musicians

Page: 120

View: 1188


* Critically acclaimed biographies of history's most notable African-Americans * Straightforward and objective writing * Lavishly illustrated with photographs and memorabilia * Essential for multicultural studies

Jimi Hendrix FAQ

Author: Gary J. Jucha

Publisher: Rowman & Littlefield

ISBN: 1617135674

Category: Biography & Autobiography

Page: 400

View: 3924


B&W photos throughout

The Birth of Loud

Author: Ian S. Port

Publisher: Simon and Schuster

ISBN: 1501141767

Category: Music

Page: 352

View: 478


“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).