Simon Leys

Author: Philippe Paquet

Publisher: Black Incorporated

ISBN: 9781863959209

Category: Authors, Belgian

Page: 664

View: 9853

An award-winning biography of one of the greats.

Simon Leys

Author: Philippe Paquet

Publisher: La Trobe University Press

ISBN: 1925435563

Category: Biography & Autobiography

Page: 720

View: 1280

An award-winning biography of one of the greats. Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014. Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction. This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).

Julian Barnes from the Margins

Author: Vanessa Guignery

Publisher: Bloomsbury Publishing

ISBN: 1350125024

Category: Literary Criticism

Page: 272

View: 5266

Exploring the archives of the Man Booker prize-winning novelist Julian Barnes – including notebooks, drafts, typescripts and publishing correspondence – this book is an extraordinary in-depth study of the creative practice of a major contemporary novelist. In Julian Barnes from the Margins, Vanessa Guignery charts the genesis and publication history of all of Barnes's major novels, from his debut with Metroland, through Flaubert's Parrot and A History of the World in 10 1⁄2 Chapters to The Sense of an Ending.

Doctor Pascal

Author: Émile Zola

Publisher: Oxford University Press, USA

ISBN: 0198746164

Category: Fiction

Page: 353

View: 769

"While La Débâcle (1892), the nineteenth novel of the Les Rougon-Macquart, brought to a close the history of the Second Empire, Dr Pascal (Le Docteur Pascal, 1893), the twentieth and final novel of the series, concludes the saga of the Rougon-Macquart family. Set in Plassans, the novel begins in 1872, after the fall of the Empire. Pascal Rougon, a doctor, first appears in The Fortune of the Rougons (1871) as the second son of Pierre and Félicité Rougon; his elder brother is Eugène Rougon, his younger brother is Aristide (Saccard). He stands apart, to such an extent that he 'did not seem to belong to the family' (The Fortune of the Rougons, p. 61). When he reappears twenty-two years later as the central figure of the novel that bears his name, it is as a heroic, almost messianic, old man, a kind of scientist-scholar, prophesying a glorious future. Devoted to medical research, he has spent his life studying genetics, chronicling and classifying the hereditary ills of his own family-the thirty descendants of his grandmother Adélaïde Fouque (Tante Dide). He keeps his files locked in a cupboard, along with a family tree he has painstakingly compiled. Additionally, he has developed a process of hypodermic injections which, he believes, will cure hereditary and nervous diseases. Pascal's young niece, Clotilde (daughter of Aristide), who lives with him, has acquired strong religious convictions under the influence of Martine, the doctor's pious old servant. Clotilde considers her uncle's work a vain, even sacrilegious, attempt to understand what can be known only by God, and begs him to destroy his manuscripts. The conflict between science and religious faith is the focus of the first half of the novel. Pascal responds to Clotilde's pleas: I believe that the future of humanity lies in the progress of reason through science. I believe that the pursuit of truth through science is the divine ideal that man ought to set himself. I believe that all is illusion and vanity outside the treasure trove of truths slowly acquired and which will never again be lost. I believe that the sum of these truths, which are always growing in number, will end up giving man incalculable power-and serenity, if not happiness... Yes, I believe in the ultimate triumph of life. (p. 000) Pascal shows his niece the genealogical tree, and, one by one, reads out his files and comments on them, rehearsing in a single sitting the narratives Zola took twenty years to produce: 'Ah! ... there's a world, a society, a whole civilisation in there, the whole of life is there, in all its manifestations, good and bad, hammered out in the forge fire that seeps all along' (p. 000). Clotilde is won over, persuaded of the power of medical science and natural evolution. Eventually, the doctor and his pupil begin an intimate and tender relationship, albeit incestuous. Pascal's mother, Félicité, is outraged that they live together out of wedlock. A financial crisis and burgeoning debts induce Pascal to send Clotilde away to Paris. He falls ill and dies before she can return. Félicité, desperate to keep the family skeletons hidden at any cost, burns her son's research papers. Clotilde, on her return, finds fragments of his work, as well as the family tree, and resolves to complete the project. Her and Pascal's child is born several months later, and the novel closes in semi-idyllic fashion-Nicholas White speaks of the 'euphoria' of the final pages(1)-by focusing on the hope for the future, and for the regeneration of the family, which is symbolized by the child. The themes of Dr Pascal, in particular its optimistic vision and the conflict it dramatizes between scientific materialism and religious faith, are best understood by placing the novel in the context not simply of Zola's original intentions for his novel series but also of the climate of ideas in France in the mid- and late-nineteenth century"--

Orienting Italy

Author: Mary Ann McDonald Carolan

Publisher: State University of New York Press

ISBN: 1438490623

Category: Performing Arts

Page: 246

View: 7002

Orienting Italy explores contemporary Italian filmmakers' fascination with China and the Chinese in both documentary and fictional films. Delineating the contours of this fascination, the book begins with the works of Carlo Lizzani (Behind the Great Wall, 1958) and Michelangelo Antonioni (Chung Kuo—China, 1972), both of whom ventured to China with the aim of documenting new, yet physically and culturally distant, realities. Their documentary investigations yielded to fictional portrayals, from the lavish view of a historical Middle Kingdom by director Bernardo Bertolucci (The Last Emperor, 1987) to the stark consideration of Italian economic exchange with contemporary China by Gianni Amelio (The Missing Star, 2006). The wave of Chinese migration to Italy in the late twentieth century created a new sense of otherness within Italy as Chinese migrants became the subjects of fictional narratives and documentaries in the works of Stefano Incerti (Gorbaciof, 2010) and Andrea Segre (Shun Li and the Poet, 2011) and Riccardo Cremona and Vincenzo De Cecco (Miss Little China, 2009). In the twenty-first century, a new chapter in the relationship between Italy and China has emerged in the form of transnational collaborations in the art and business of filmmaking.

China in Australasia

Author: James Beattie,Richard Bullen,Maria Galikowski

Publisher: Routledge

ISBN: 1351203452

Category: Art

Page: 190

View: 6883

Drawing on expertise in art history, exhibition studies and cultural studies as well as politics and international relations, China in Australasia presents significant new perspectives on the role of art in the cultural diplomacy of the People’s Republic of China. The book tells the forgotten story of the loan, exchange, and gifting of Chinese art, museum exhibitions—and the use of Chinese arts more broadly—in growing diplomatic relations with Australia and New Zealand, from 1949 to the present day. Its scope includes pre-modern, modern and contemporary sculpture, painting and peasant art, as well as ancient artefacts, performance arts and gardens. In considering the geopolitical connections opened by the arts, this book presents new insights into some of the ways in which China, often in conjunction with local supporters, sought to present itself to the people of Australia and New Zealand. It also considers how, for their part, New Zealanders and Australians worked to expand understandings of their powerful northern neighbour within changing political contexts. The first of its kind, this book-length interdisciplinary study of Chinese soft diplomacy in Australasia will be invaluable to students and scholars of Chinese studies, cultural diplomacy, museum studies and art history.

Antipodean China

Author: Nicholas Jose,Benjamin Madden

Publisher: Giramondo Publishing

ISBN: 1925818659

Category: Literary Collections

Page: 256

View: 5889

Antipodean China is a collection of essays drawn from a series of encounters between Australian and Chinese writers, which took place in China and Australia over a ten-year period from 2011. The encounters could be defensive, especially given the need to depend on translators, but as the writers spoke about the places important to them, their influences and their work, resemblances emerged, and the different perspectives contributed to a sense of common understanding, about literature and about the role of the writer in society. In some cases the communication is even more direct, as when the Tibetan author A Lai speaks knowingly about Alexis Wright's novel Carpentaria, and the two winners of the Nobel Prize for Literature, Mo Yan and J.M. Coetzee, discuss what the Nobel meant for each of them. The collection also includes writing by some of the best Chinese and Australian writers: novelists Brian Castro, Gail Jones, Julia Leigh, Yu Hua, Sheng Keyi and Liu Zhenyun, poets Kate Fagan, Ouyang Yu, Xi Chuan and Zheng Xiaoqiong, and translators Eric Abrahamsen, Li Yao and John Minford. In the current situation of hostility and suspicion between the two countries, this collection presents what may be seen, in retrospect, as an idyllic moment of communication and trust.

The Wreck of the Batavia

Author: Simon Leys

Publisher: Basic Books

ISBN: 9781560258216

Category: History

Page: 111

View: 1297

Traces the harrowing 1629 shipwreck of nearly three hundred survivors on small islands off the coast of western Australia who found themselves at the mercy of a visionary psychopath and his team of supporters, a group that brutalized the survivors before eventually slaughtering them in an organized massacre.

China in World History

Author: S. Adshead

Publisher: Springer

ISBN: 1137118121

Category: History

Page: 434

View: 7033

This revised edition provides a new preface to this highly popular book. The theme of the book is China's relations with the non-Chinese world, not only political and economic, but cultural, social and technological as well. It seeks to show that China's history is part of everyone's history. In particular it traces China's relationship since the thirteenth century to the emergent world order and the various world institutions of which that order is composed. Each chapter discusses China's comparative place in the world, the avenues of contact between China and other civilizations, and who and what passed along those channels.