Somebody to Love?

Author: Grace Slick,Andrea Cagan

Publisher: Hachette UK

ISBN: 0446554421

Category: Biography & Autobiography

Page: 384

View: 9049


A candid autobiography of the great rock diva of Jefferson Airplane and Jefferson Starship, revealing her wild life at the forefront of the Sixties and Seventies counterculture. She has been called rock and roll's original female outlaw, as famous for her bad behavior as for her haunting singing voice. In her 25-year career as a musician, Grace Slick charted dozens of hits and sold millions of albums. From "White Rabbit" and "Somebody to Love" to "Sarah" and "Miracles", the songs she performed became the anthems of a generation. Whether describing her antics at the White House with Abbie Hoffman or the unforgettable experience that was Woodstock, Slick's recollections have the same rich imagery found in her lyrics. In this provocative narrative, readers will discover the many sides of Grace Slick: as artistic pioneer; she records songs with Jerry Garcia and David Crosby; as practitioner of freedom and rebellion; she sleeps with Jim Morrison and gets arrested for DUI on three separate occasions (without actually being in a car); and as a loving mother to actress China Kantner, she tries to balance casual friendship with parental wisdom. Slick offers a revealing self-portrait of the complex woman behind the rock-outlaw image, and delivers a behind-the-scenes, no-holds-barred view of the people and spirit that defined a quarter-century of American pop culture. Wildly funny, candid, and evocative, Somebody to Love?tells what it was really like during, and after, the Summer of Love-and how one remarkable woman survived it all to remain today as vibrant and rebellious as ever.

Hippies: A Guide to an American Subculture

Author: Micah Issitt

Publisher: ABC-CLIO

ISBN: 0313365733

Category: Social Science

Page: 164

View: 2201


An insightful introduction to hippie culture and how its revolutionary principles in the 1960s helped shape modern culture. • Includes 13 primary sources, including excerpts from articles, speeches, and original interviews, and Abbie Hoffman's trial interview • Presents original photography by acclaimed photographer Robert Altman, providing views of hippies at the height of 1960s culture

Rock And Roll

Author: Paul Friedlander

Publisher: Routledge

ISBN: 0429963254

Category: Social Science

Page: 400

View: 1549


Now updated with two new chapters and an extraordinary collection of photographs, this second edition of Paul Friedlander's Rock and Roll: A Social History is a smash hit. The social force of rock and roll music leaps off the page as Paul Friedlander provides impressive insights based on hits from Johnny B. Goode to Smells Like Teen Spirit and beyond. In this musical journey, Friedlander offers the melodious strains and hard-edged riffs of Elvis, the Beatles, The Who, Dylan, Clapton, Hendrix, Motown, the San Francisco Beat, Punk, New Wave, rap, metal, 90's grunge, plus file sharing, and much more. The book is written in a refreshing, captivating style that pulls the reader in, offering no less than a complete social and cultural history of rock and roll for students and general audiences alike. Friedlander writes, 'This book chronicles the first forty years of rock/pop music history. Picture the various musical styles as locations on a giant unfolding road map. As you open the map, you travel from place to place, stopping at each chapter to sample the artistry. Don't forget to dress your imagination appropriately for this trip, because each genre is affected by the societal topography and climate that surround it. Enjoy your trip. We promise it will be a good one!'

Sex, Drugs, and Rock 'n' Roll

Author: Robert C. Cottrell

Publisher: Rowman & Littlefield

ISBN: 1442246073

Category: History

Page: 453

View: 6096


Sex, Drugs, and Rock ‘n Roll: The American Counterculture of the 1960s offers a unique examination of the cultural flowering that enveloped the United States during that early postwar decade. Robert C. Cottrell provides an enthralling view of the counterculture, beginning with an examination of American bohemia, the Lyrical Left of the pre-WWII era, and the hipsters. He delves into the Beats, before analyzing the counterculture that emerged on both the East and West coasts, but soon cropped up in the American heartland as well. Cottrell delivers something of a collective biography, through an exploration of the antics of seminal countercultural figures Allen Ginsberg, Jack Kerouac, Timothy Leary, and Ken Kesey. Cottrell also presents fascinating chapters covering “the magic elixir of sex,” rock ‘n roll, the underground press, Haight-Ashbury, the literature that garnered the attention of many in the counterculture, Monterey Pop, the Summer of Love, the Death of Hippie, the March on the Pentagon, communes, Yippies, Weatherman, Woodstock, the Manson family, the women’s movement, and the decade’s legacies.

Tear Down the Walls

Author: Patrick Burke

Publisher: University of Chicago Press

ISBN: 022676835X

Category: Music

Page: 256

View: 1254


From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.

I was Elvis Presley's Bastard Love-child & Other Stories of Rock'n'roll Excess

Author: Andrew Darlington

Publisher: Headpress

ISBN: 9781900486170

Category: Biography & Autobiography

Page: 228

View: 7102


Unexpurgated interviews with legendary rock muscicians and bands including Peter Green, Grace Slick, Kraftwerk, The Kinks, Robert Plant and Siouxie Sioux, plus the full text of Gene Clark's last interview. Complete with discographies and illustrated profusely throughout.

Live at the Fillmore East and West

Author: John Glatt

Publisher: Rowman & Littlefield

ISBN: 1493016725

Category: Music

Page: 320

View: 6835


From the Allman Brothers Band to Frank Zappa, and through the interweaving lives of Bill Graham, Janis Joplin, Grace Slick, and Carlos Santana, author John Glatt chronicles the story of the 1960s’ rock music Colossus that stood astride the East and West Coasts—Graham’s twin temples of rock, the Fillmore East and Fillmore West.

In Search of the Lost Chord

Author: Danny Goldberg

Publisher: Icon Books

ISBN: 1785782967

Category: Music

Page: 280

View: 3752


‘Danny Goldberg is probably one of the purest, most reasonable guides you could ask for to 1967.’ Ex-Rolling Stones manager Andrew Loog Oldham. ‘Weaves together rollicking, rousing, wonderfully colourful and disparate narratives to remind us how the energies and aspirations of the counterculture were intertwined with protest and reform ... mesmerising.’ The Nation It was the year that saw the release of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, and of debut albums from the Doors, the Grateful Dead, Jimi Hendrix and Janis Joplin. The year of the Summer of Love and LSD; the Monterey Pop Festival and Black Power; Muhammad Ali’s conviction for draft avoidance and Martin Luther King Jr’s public opposition to war in Vietnam. On its 50th anniversary, music business veteran Danny Goldberg analyses 1967, looking not only at the political influences, but also the spiritual, musical and psychedelic movements that defined the era, providing a unique perspective on how and why its legacy lives on today. Exhaustively researched and informed by interviews including Allen Ginsberg, Timothy Leary and Gil Scott-Heron, In Search of the Lost Chord is the synthesis of a fascinating and complicated period in our social and countercultural history that was about so much more than sex, drugs and rock n roll.