The Diving Bell and the Butterfly

Author: Jean-Dominique Bauby

Publisher: Vintage

ISBN: 0307454835

Category: Biography & Autobiography

Page: 146

View: 5569


A celebration of the liberating power of consciousness—a triumphant book that lets us witness an indomitable spirit and share in the pure joy of its own survival. In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book. By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him. Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly. This book is a lasting testament to his life.

The Diving Bell and the Butterfly by Jean-Dominique Bauby (Book Analysis)

Author: Bright Summaries

Publisher: BrightSummaries.com

ISBN: 2806280923

Category: Study Aids

Page: 25

View: 5651


Unlock the more straightforward side of The Diving Bell and the Butterfly with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Diving Bell and the Butterfly by Jean-Dominique Bauby, an autobiographical account of his life with locked-in syndrome following a massive stroke at the age of just 43. His entire body is paralysed apart from his left eyelid, but he miraculously learns how to express himself in the richest detail by blinking to select each letter as the alphabet is read out to him. By turns wistful, mischievous, angry and witty, Bauby’s account sold 25 000 copies on the first day of sales and went on to sell millions of copies across Europe and beyond. Despite dying only days after the publication of his groundbreaking novel, the famous editor and author’s memory lives on through this outstanding book. Find out everything you need to know about The Diving Bell and the Butterfly in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

Summary of Jean-Dominique Bauby's The Diving Bell and the Butterfly

Author: Everest Media,

Publisher: Everest Media LLC

ISBN: 1669384985

Category: Biography & Autobiography

Page: 30

View: 4188


Please note: This is a companion version & not the original book. Sample Book Insights: #1 The shock of the wheelchair was helpful. I gave up my grandiose plans, and the friends who had built a barrier of affection around me since my catastrophe began to talk freely. I began to discuss locked-in syndrome, which is very rare.

Roger Ebert's Movie Yearbook 2010

Author: Roger Ebert

Publisher: Andrews McMeel Publishing

ISBN: 0740792180

Category: Performing Arts

Page: 672

View: 5836


Roger Ebert's Movie Yearbook 2010 is the ultimate source for movies, movie reviews, and much more. For nearly 25 years, Roger Ebert's annual collection has been recognized as the preeminent source for full-length critical movie reviews, and his 2010 yearbook does not disappoint. The yearbook includes every review Ebert has written from January 2007 to July 2009. It also includes interviews, essays, tributes, and all-new questions and answers from his Questions for the Movie Answer Man columns. Fans get a bonus feature, too, with new entries to Ebert's Little Movie Glossary. This is the must-have go-to guide for movie fanatics.

Marketing

Author: Jon Groucutt,Peter Leadley,Patrick Forsyth

Publisher: Kogan Page Publishers

ISBN: 9780749441142

Category: Business & Economics

Page: 564

View: 3606


Aimed primarily (but not exclusively) at undergraduate and diploma-level students, this text is peppered throughout with mini international case studies providing marketing insights and discussion opportunities for students.

Roger Ebert's Movie Yearbook 2009

Author: Roger Ebert

Publisher: Andrews McMeel Publishing

ISBN: 0740792164

Category: Performing Arts

Page: 944

View: 4334


Nobody has been more important in telling Americans why we should love film than Roger Ebert. --Michael Shamberg, Editor and Publisher Pulitzer Prize-winning film critic Roger Ebert presents more than 650 full-length critical movie reviews, along with interviews, essays, tributes, film festival reports, and Q and As from Questions for the Movie Answer Man. Roger Ebert's Movie Yearbook 2009 collects more than two years' worth of his engaging film critiques. From Bee Movie to Darfur Now to No Country for Old Men, and from Juno to Persepolis to La Vie en Rose, Roger Ebert's Movie Yearbook 2009 includes every review Ebert has written from January 2006 to June 2008. Also included in the Yearbook, which boasts 65 percent new content, are: * Interviews with newsmakers, such as Juno director Jason Reitman and Jerry Seinfeld, a touching tribute to Deborah Kerr, and an emotional letter of appreciation to Werner Herzog. * Essays on film issues, and tributes to actors and directors who died during the year. * Daily film festival reports from Cannes, Toronto, Sundance, and Telluride. * All-new questions and answers from his Questions for the Movie Answer Man columns.

Disability and the Media

Author: Charles A. Riley, II,II Charles a Riley

Publisher: UPNE

ISBN: 1611683939

Category: Social Science

Page: 501

View: 2341


A journalist's passionate expose of the media's portrayal of the disabled.

Animated Film and Disability

Author: Slava Greenberg

Publisher: Indiana University Press

ISBN: 0253064511

Category: Performing Arts

Page: 223

View: 7818


While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience. In Animated Film and Disability, Slava Greenberg analyzes over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Greenberg explores physical and sensory accessibility in theaters and suggests new ways to accommodate cinematic screenings. Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics

Author: Greguric, Ivana

Publisher: IGI Global

ISBN: 1799892336

Category: Philosophy

Page: 352

View: 5344


We are currently living in an age of scientific humanism. Cyborgs, robots, avatars, and bio-technologically created beings are new entities that exist alongside biological human beings. As with many emerging technologies, many people will find the concept foreign and frightening. There is a strong possibility that these entities will be mistreated. Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics discusses the ethics of human cyborgization as well as emerging technologies of robots and avatars that exhibit human-like qualities. The chapters build a strong case for the necessity of cyborg ethics and protocols for preserving the vitality of life within an ever-advancing technological society. Covering topics such as cyborg hacking, historical reality, and naturalism, this book is a dynamic resource for scientists, ethicists, cyber behavior professionals, students and professors of both technological and philosophical studies, faculty of higher education, philosophers, AI engineers, healthcare professionals, researchers, and academicians.

The Camera-Eye Metaphor in Cinema

Author: Christian Quendler

Publisher: Taylor & Francis

ISBN: 1317434196

Category: Social Science

Page: 250

View: 3895


This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?