The Letters of Samuel Beckett:

Author: Samuel Beckett

Publisher: Cambridge University Press

ISBN: 9780521867948

Category: Literary Criticism

Page: 886

View: 6349


This second volume of The Letters of Samuel Beckett opens with the War years, when it was often impossible or too dangerous to correspond. The surge of letters beginning in 1945, and their variety, are matched by the outpouring and the range of Beckett's published work. Primarily written in French and later translated by the author, the work includes stories, a series of novels (Molloy, Malone Dies, and The Unnamable), essays and plays - most notably Waiting for Godot. The letters chronicle a passionately committed but little known writer evolving into a figure of international reputation, and his response to such fame. The volume provides detailed introductions which discuss Beckett's situation during the War and his crucial move into the French language, as well as translations of the letters, explanatory notes, year-by-year chronologies, profiles of correspondents and other contextual information.

A History of the Modernist Novel

Author: Gregory Castle

Publisher: Cambridge University Press

ISBN: 1107034957

Category: Literary Criticism

Page: 547

View: 6976


A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. It also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.

The Wireless Past

Author: Emily C. Bloom

Publisher: Oxford University Press

ISBN: 0191066532

Category: Literary Criticism

Page: 224

View: 6830


The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial. The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio—the conjoining of revivalism and experimentation—create a distinctive radiogenic aesthetics in mid-century modernism.

Samuel Beckett's Critical Aesthetics

Author: Tim Lawrence

Publisher: Springer

ISBN: 3319753991

Category: Literary Criticism

Page: 240

View: 1739


This book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.

Samuel Beckett and Cinema

Author: Anthony Paraskeva

Publisher: Bloomsbury Publishing

ISBN: 1472533232

Category: Literary Criticism

Page: 224

View: 9382


In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.

Modernist Exoskeleton

Author: Murray Rachel Murray

Publisher: Edinburgh University Press

ISBN: 147445822X

Category: Literary Criticism

Page: 224

View: 7638


Argues for the importance of insects to modernism's formal innovationsUses the idea of the insect as a key to modernist writers' engagement with questions of politics, psychology, life, and literary formProvides in-depth analysis of lesser-known modernist narratives, such as H.D.'s Asphodel and Lewis's Snooty Baronet, as well as new readings of canonical texts - including D. H. Lawrence's Lady Chatterley's Lover and Samuel Beckett's TrilogyExplores the influence of popular scientific writing on modernist aestheticsReveals the attentiveness of modernist writers to nonhuman life, thus forging new lines of connection between modernism and literary animal studiesFocusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body - its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism's engagement with nonhuman life, as well as its questioning of the boundaries of the human.

Staging Beckett in Great Britain

Author: David Tucker,Trish McTighe

Publisher: Bloomsbury Publishing

ISBN: 1474240186

Category: Performing Arts

Page: 288

View: 9275


Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.

Samuel Beckett and the Second World War

Author: William Davies

Publisher: Bloomsbury Publishing

ISBN: 1350106844

Category: Literary Criticism

Page: 256

View: 4536


In the wake of the Second World War, Samuel Beckett wrote some of the most significant literary works of the 20th century. This is the first full-length historical study to examine the far-reaching impact of the war on Beckett's creative and intellectual sensibilities. Drawing on a substantial body of archival material, including letters, manuscripts, diaries and interviews, as well as a wealth of historical sources, this book explores Beckett's writing in a range of political contexts, from the racist dogma of Nazism and aggressive traditionalism of the Vichy regime to Irish neutrality censorship and the politics of recovery in the French Fourth Republic. Along the way, Samuel Beckett and the Second World War casts new light on Beckett's political commitments and his concepts of history as they were formed during Europe's darkest hour.

Edinburgh Companion to Samuel Beckett and the Arts

Author: S E (Florida State University) Gontarski

Publisher: Edinburgh University Press

ISBN: 0748675701

Category: Literary Criticism

Page: 512

View: 7165


The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for BeckettOCOs work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabat(r), and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation."e;

Edinburgh Companion to Samuel Beckett and the Arts

Author: S.E. Gontarski

Publisher: Edinburgh University Press

ISBN: 0748675698

Category: Literary Criticism

Page: 512

View: 402


A landmark collection showcasing the diversity of Samuel Beckett's creative output The 35 original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabate, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; The Body; Fiction; Film, Radio & Television; Global Beckett; Language / Writing; Philosophy; Reading; and Theatre & Performance. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.