Author: Samuel Beckett

Publisher: Cambridge University Press

ISBN: 9780521867962

Category: Literary Criticism

Page: 0

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This fourth and final volume, which completes the Cambridge edition of The Letters of Samuel Beckett, covers the final twenty-four years of what was, as Beckett saw it, a surprisingly long life. During these years he produced many of his finest and most concentrated works for theatre, plays that included Not I, Ohio Impromptu, and Catastrophe; for television he wrote Eh Joe and Ghost Trio; while in prose, he produced the late 'trilogy' that comprises Company, Ill Seen Ill Said, and Worstward Ho. In 1969, Beckett was awarded the Nobel Prize in Literature, and the letters from this period show him struggling to cope with the pressures created by his ever-growing international fame. The letters reveal how, later, he turned his mind to his legacy, as seen through his interactions with biographers and archivists. This volume also provides chronologies, explanatory notes, translations, and profiles of Beckett's chief correspondents.

Author: Rick de Villiers

Publisher: Edinburgh University Press

ISBN: 1474479057

Category: Literary Criticism

Page: 264

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<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>

<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>

<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>

Author: Marco Bernini

Publisher: Oxford University Press

ISBN: 0190664355

Category: Language Arts & Disciplines

Page: 265

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"How can literature enhance, parallel or reassess the scientific study of the mind? Or is literature instead limited to the ancillary role of representing cognitive processes? Beckett and the Cognitive Method argues that Beckett's narrative work, rather than just expressing or rendering cognition and mental states, inaugurates an exploratory use of narrative as an introspective modeling technology (defined as "introspection by simulation"). Through a detailed analysis of Beckett's entire corpus and published volumes of letters, the book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) "models" for the exploration of core laws, processes and dynamics in the human mind. Marco Bernini integrates models, problems and interpretive frameworks from contemporary narrative theory, cognitive sciences, phenomenology, and philosophy of mind to make a case for Beckett's modeling practice of a vast array of processes including: the (narrative) illusion of a sense of self, the hallucinatory quality of inner speech, the dialogic interaction with memories and felt presences, the synesthetic nature of inner experience and mental imagery, the developmental cooperation of language and locomotion, the role of moods and emotions as cognitive drives, the layered complexity of the mind and the emergent quality of consciousness. Beckett and the Cognitive Method also reflects on how Beckett's "fictional cognitive models" are transformed into reading, auditory or spectatorial experiences generating through narrative devices insights on which the sciences can only discursively or descriptively report. As such, the study advocates for their relevance to the contemporary scientific debate towards an interdisciplinary co-modeling of cognition"--

Author: José Francisco Fernández,Pascale Sardin

Publisher: Springer Nature

ISBN: 3030717305

Category: Performing Arts

Page: 263

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The global reception of Samuel Beckett raises numerous questions: in which areas of the world was Beckett first translated? Why were Beckett texts sometimes slow to penetrate certain cultures? How were national literatures impacted by Beckett's oeuvre? Translating Samuel Beckett around the World brings together leading researchers in Beckett studies to discuss these questions and explore the fate of Beckett in their own societies and national languages. The current text provides ample coverage of the presence of Beckett in geographical contexts normally ignored by literary criticism, and reveals unknown aspects of the 1969 Nobel Prize winner interacting with translators of his work in a number of different countries.

Author: Rosemarie Bodenheimer

Publisher: Oxford University Press

ISBN: 0192858734

Category:

Page: 157

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A book on the experience of reading the works of Samuel Beckett. After a life of writing about Victorian novelists, Rosemarie Bodenheimer found herself entranced by the work of Samuel Beckett. In this book she shares her journey of discovery with readers who may or may not be familiar with Beckett's novels and stories. She follows his trajectory from the first unpublished novel, Dream of Fair to Middling Women, through the great post-war trilogy of Molloy, Malone Dies, and The Unnamable, and on to the ever more experimental inventions in the shorter, later fictions, and monologues. Through readings of his work alongside extracts from his published correspondence, Beckett emerges as a sympathetic human figure, a poet of productive doubt, and a brilliant stylist of mood changes and second thoughts. Bodenheimer considers Beckett's treatments of memory, nostalgia, and grief, and the forms he finds to convey those essential human experiences while avoiding melodrama or sentimentality. His dramatized relationship with his own writing is a crucial part of that emotional landscape. His playful jousts with the conventions of novel-writing show how, from the start, Beckett challenged the notion of character and other inherited novel conventions. The book also emphasizes his dismantling of the autobiographical I his moving narratives of attachment and loss, and the inimitable mixture of comedy and pathos he creates by inventing outlandish situations to which his characters respond in very recognizable human ways.

Author: William Baker

Publisher: Rowman & Littlefield

ISBN: 1611479320

Category: Literary Criticism

Page: 282

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Pinter’s World presents an analysis based on recently published biographies and reminiscences and extensive consultation of Pinter’s archive at the British Library, of his friendships, and obsessions. Topics extend beyond the subject’s drama and screen plays, to his prose, journalism, poetry, letters, and artistic endeavors.

Author: Olga Beloborodova,Dirk Van Hulle,Pim Verhulst

Publisher: Springer

ISBN: 3319703749

Category: Literary Criticism

Page: 295

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This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.

Author: Annamaria Cascetta

Publisher: Routledge

ISBN: 0429647840

Category: Performing Arts

Page: 294

View: 1847

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Performative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century. Annamaria Cascetta does not propose a model or a historical overview, but rather strives to identify the salient features of a significant trend in the theatrical research and transformation of our time by analysing some crucial examples from outstanding works, of great international resonance. She draws on work by artists from different generations, all active between the late twentieth century and the first decades of the twenty-first, and in various European countries, performed in a number of European theatres in recent years. The aim is to apply a method of analysis in depth, bringing out the technical elements of contemporary "performative theatre" in the field, and above all to highlight the close links between it and the urgent and troubled issues and problems of history and society in the phase of cultural and anthropological transition we are experiencing.

Author: Jean-Michel Rabaté,Angeliki Spiropoulou

Publisher: Bloomsbury Publishing

ISBN: 1350202975

Category: Literary Criticism

Page: 296

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Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.