The Letters of Vincent Van Gogh

Author: Vincent Van Gogh

Publisher: Hachette UK

ISBN: 1780333293

Category: History

Page: 400

View: 1915

A carefully selected edition of the letters of Van Gogh. For this great artist it is unusually difficult to separate his life from his work. These letters reveal his inner turmoil and strength of character, and provide an extraordinary insight into the intensity and creativity of his artistic life.

Letters of Vincent Van Gogh

Author: Vincent van Gogh

Publisher: Touchstone Books


Category: Art

Page: 372

View: 3397

A resized edition of a classic volume features a chronologically arranged collection of letters, mostly written to van Gogh's art dealer and brother, Theo, that reveal the joy and inspiration he derived from literature, art, and nature as well as his romantic disappointments, poverty, and relationships with fellow artists. Reprint. 15,000 first printing.

The Letters of Vincent Van Gogh

Author: Vincent van Gogh

Publisher: Simon and Schuster

ISBN: 0684843005

Category: Biography & Autobiography

Page: 356

View: 1549

Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, reinstating a large number of passages omitted from earlier editions, is expressly designed to reveal his inner journey as much as the outward facts of his life. It includes complete letters wherever possible, linked with brief passages of connecting narrative and showing all the pen-and-ink sketches that originally went with them. Despite the familiar image of Van Gogh as an antisocial madman who died a martyr to his art, his troubled life was rich in friendships and generous passions. In his letters we discover the humanitarian and religious causes he embraced, his fascination with the French Revolution, his striving for God and for ethical ideals, his desperate courtship of his cousin, Kee Vos, and his largely unsuccessful search for love. All of this, suggests De Leeuw, demolishes some of the myths surrounding Van Gogh and his career but brings hint before us as a flesh-and-blood human being, an individual of immense pathos and spiritual depth. Perhaps even more moving, these letters illuminate his constant conflicts as a painter, torn between realism, symbolism and abstraction; between landscape and portraiture; between his desire to depict peasant life and the exciting diversions of the city; between his uncanny versatility as a sketcher and his ideal of the full-scale finished tableau. SinceVan Gogh received little feedback from the public, he wrote at length to friends, fellow artists and his family, above all to his brother Theo, the Parisian art dealer, who was his confidant and mainstay. Along with his intense powers of visual imagination, Vincent brought to the

The Letters of Vincent van Gogh

Author: Patrick Grant

Publisher: Athabasca University Press

ISBN: 1927356741

Category: Literary Criticism

Page: 254

View: 6097

When he died at the age of thirty-seven, Vincent van Gogh left a legacy of over two thousand artworks, for which he was justly famous. But van Gogh was also a prodigious writer of letters—more than eight hundred of them, addressed to his parents, to friends such as Paul Gauguin and, above all, to his brother Theo. His letters have long been admired for their exceptional literary quality, and art historians have sometimes drawn on some of the letters in their analysis of the paintings. And yet, to date, no one has undertaken a critical assessment of this remarkable body of writing—not as a footnote to the paintings but as a highly sophisticated literary achievement in its own right. Patrick Grant’s long-awaited study provides such an assessment and, as such, redresses a significant omission in the field of van Gogh studies. As Grant demonstrates, quite apart from furnishing a highly revealing self-portrait of their author, the letters are compelling for their imaginative and expressive power, as well as for the perceptive commentary they offer on universal human themes. Through a subtle exploration of van Gogh’s contrastive style of thinking and his fascination with the notion of imperfection, Grant illuminates gradual shifts in van Gogh's ideas on religion, ethics, and art. He also analyzes the metaphorical significance of a number of key images in the letters, which prove to yield unexpected psychological and conceptual connections, and probes the relationships that surface when the letters are viewed as a cohesive literary product. The result is a wealth of new insights into van Gogh’s inner landscape.

Ever Yours

Author: Vincent van Gogh

Publisher: Yale University Press

ISBN: 0300209479

Category: Literary Collections

Page: 785

View: 2108

"An abridged edition of the complete six-volume publication, Vincent van Gogh, the letters: the complete illustrated and annotated edition, 2009"--Title page verso.

Vincent van Gogh

Author: Nienke Bakker,Leo Jansen

Publisher: National Geographic Books

ISBN: 0500094241

Category: Art

Page: 0

View: 7502

A remarkable selection covering all aspects of Vincent van Gogh’s life and offering valuable new insights into the creative process behind his many famous works. This captivating collection of Vincent van Gogh’s letters opens a window into the mind of one of history’s greatest artists. Giving rare insight into his complicated relationships with family, friends, and other fellow artists, the letters describe his personal doubts, fears, and above all his overriding passion for his art. Introductions by the letters editors from the Van Gogh Museum highlight the most recent discoveries and theories surrounding Van Gogh’s work and personal history. Illustrated with original manuscript letters, sketches, paintings, and photographs of correspondents, this book brings Van Gogh’s story and work to life. Vincent van Gogh: A Life in Letters is a valuable personal introduction to the artist’s life and work, with illuminating commentaries by experts on the subject.

Van Gogh's Letters

Author: H. Anna Suh

Publisher: Black Dog & Leventhal Pub

ISBN: 1579128599

Category: Art

Page: 320

View: 7445

INDIVIDUAL ARTISTS. A beautifully illustrated book which pairs Van Gogh's passionate letters to family and friends with his paintings and newly popular drawings. They exhibit the artist's genius and depth of observation and feeling in its most naked form. Here, they have been excerpted and re-translated and set side-by-side with his drawings and paintings from the same period, 1875-1890.

Letters to an Artist - From Vincent Van Gogh to Anton Ridder Van Rappard 1881-1885

Author: Vincent Van Gogh

Publisher: Lodge Press

ISBN: 1406729698

Category: Biography & Autobiography

Page: 288

View: 7303

Letters to an Artist From Vincent van Gogh to Anton Ridder van Rappard 1881-1885 Translated from the Dutch by Rela van Messel With an Introduction by Walter Pach Published by the Viking Press, New York 1936 FIRST PUBLISHED IN SEPTEMBER 1936 COPYRIGHT 1936 BY THE VIKING PRESS, INC, PRINTED IN U. S. A. BY THE HADDON CRAFTSMEN AQXJATONE ILLUSTRATIONS BY EDWARD STERN COMPANY DISTRIBUTED IN CANADA BY THE MACMILLAN COMPANY OF CANADA, LTD, ALL RIGHTS RESERVED. NO PART OF THIS BOOK, INCLUDING THE FACSIMILE LETTERS AND DRAWINGS, MAY BE REPRO DUCED FOR COMMERCIAL PURPOSES IN ANY FORM WITHOUT THE WRITTEN CONSENT OF THE PUBLISHERS. Translators Note In rendering these letters into English I discovered that a strictly literal translation would be confusing, for van Goghs peculiar style, to say nothing of many Dutch expressions, is all but untranslatable. Nevertheless, I have kept as close to the text as possible in order to preserve the distinct flavour and vigorous colour of the letters. Van Goghs handwriting is also unique it is uneven and vari able, now slanting, now perpendicular, sometimes so small that one has to use a magnifying-glass, at other times, especially when he wishes to give extra emphasis to what he says, unusually thick and large. He habitually used different nibs in the same letter, and frequently it looks as if he had dipped them into India ink, thus making the reading of the next page almost impossible, for he wrote on a certain type of thin ruled paper common in Holland. Often van Gogh, after concluding a letter, would go back and make additions in tiny script at the end of paragraphs in order to reinforce a statement or to make clearer what he was afraid he had not expressedwell enough. Such additions are to be found in nearly every letter they are typical of him, as are his rugged style and enthusiasm which I have tried to convey. Nothing, however, has been omitted except a few passages of sheer repeti tion and some lists literally, catalogue notes of van Goghs acquisitions for his print collection. As most of the letters are undated, the task of arranging them chronologically was extremely difficult, if not impossible but I feel that the order in which they here appear will at least not in terfere with the readers sense of continuity. A casual conversation about the exhibition of van Goghs works, then current in New York, first revealed to me the ex istence of the contents of this volume. Closer access to the hith erto unpublished letters of the Dutch artist has only increased my belief in their significance, and I am most happy to see them now made available to the public. RELA VAN MESSEL Introduction BY WALTER PACH IT is not unfitting that the first presentation of the letters of Vincent van Gogh composing the present volume should be made on this side of the Atlantic, his hold on the admiration of Americans having proved a strong one from the very first. Any number of our cities have applied for the loan of that great collection of the painters work which is travelling about the country as I write these lines, but circumstances have made it necessary to limit the places for the exhibition to New York, Philadelphia, Boston, Cleveland, San Francisco, Kansas City, Minneapolis, Chicago, Detroit, and Toronto. Even so, with over a hundred thousand visitors in each of the places where the pic tures have been shown so far, it is almost certain that moreAmericans will have attended the exhibition than have ever gathered before to see the production of a single artist. But American interest in van Gogh is of far earlier date. Well before the Armory Show of 1913 brought to this country a splendid group of his paintings, he was represented in such col lections as those of John Quinn and Katherine S. Dreier in New York, and of Sir William Van Home in Montreal. In 1920 an important showing of his works, from those in the possession of the van Gogh family, was eagerly welcomed in New York...

“My Own Portrait in Writing”

Author: Patrick Grant

Publisher: Athabasca University Press

ISBN: 1771990457

Category: Literary Criticism

Page: 198

View: 9762

Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this “double-voiced discourse”—from the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artist’s personal progress, “the letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.” This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Gogh’s writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Gogh’s own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, “My Own Portrait in Writing” offers a theoretically informed interpretation of Van Gogh’s literary achievement that is, quite literally, without precedent.