Irony, Satire, Parody and the Grotesque in the Music of Shostakovich

Author: Esti Sheinberg

Publisher: Routledge

ISBN: 1351562061

Category: Music

Page: 400

View: 5645


The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature. The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovichs music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with the artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly music in general and then more specifically to the music of Shostakovich. The composers cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music.

The Music of David Lumsdaine

Author: Michael Hooper

Publisher: Routledge

ISBN: 1317023471

Category: Music

Page: 246

View: 3888


Australian by birth but a longtime resident of Great Britain, David Lumsdaine (b.1931) is central to both Australian and British modernism. During the early 1970s Australian musical modernism was at its height. Lumsdaine and his Australian contemporaries were engaged with practices from multiple places, producing music that displays the attributes of their disparate influences; in so doing they formed a new conception of what it meant to be an Australian composer. The period is similarly important in Britain, for it saw the rise to prominence of composers such as Birtwistle, Davies, Goehr, Gilbert, Wood, Cardew and many others who were Lumsdaine's contemporaries, colleagues and friends. Hooper presents here a series of analyses of Lumsdaine's compositions, focusing on works written between 1966 and 1980. At the early end of this period is Kelly Ground, for solo piano. One of Lumsdaine's first acknowledged works, Kelly Ground connects explicitly with the music of high modernism, employing ideas about temporality as espoused by Ligeti, Stockhausen and Boulez, to form a new ritual for the (now mythical) Australian outlaw Ned Kelly. Hooper places Lumsdaine's music in the context of Australian and British avant-gardes, and reveals its elegance, lyricism and technical virtuosity.

Polycultural Synthesis in the Music of Chou Wen-chung

Author: Mary I. Arlin,Mark A. Radice

Publisher: Routledge

ISBN: 1351974041

Category: Music

Page: 318

View: 4495


The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally oriented Chinese cultural perspective. The result has been the composition of a unique body of repertoire that synthesizes the most progressive Western compositional idioms with an astonishingly traditional heritage of Asian approaches, not only from music, but also from calligraphy, landscape painting, poetry, and more. Chou’s importance rests not only in his compositions, but also in his widespread influence through his extensive teaching career at Columbia University, where his many students included Bright Sheng, Zhou Long, Tan Dun, Chen Yi, Joan Tower, and many more. During his tenure at Columbia, he also founded the U.S.-China Arts Exchange, which continues to this day to be a vital stimulus for multicultural interaction. The volume will include an inventory of the Chou collection in the Paul Sacher Stiftung in Basel, Switzerland.

The Music of Thought in the Poetry of George Oppen and William Bronk

Author: Henry Weinfield

Publisher: University of Iowa Press

ISBN: 1587298503

Category: Literary Criticism

Page: 251

View: 6106


George Oppen (1908–1984), born into a prosperous German Jewish family, began his career as a protégé of Ezra Pound and a member of the Objectivist circle of poets; he eventually broke with Pound and became a member of the Communist party before returning to poetry more than twenty-five years later. William Bronk (1918–1999), by contrast, a descendant of the first European families in New York, was influenced by the works of Shakespeare, the King James Bible, and the work of the New England writers of the American Renaissance. Despite differences in background and orientation, the two men formed a deep friendship and shared a similar existential outlook. As Henry Weinfield demonstrates in this searching and original study, Oppen and Bronk are extraordinary thinkers in poetry who struggled with central questions of meaning and value and whose thought acquires the resonance of music in their work. These major writers created poetry of enduring value that has exerted an increasing influence on younger generations of poets. From his careful readings of Oppen’s and Bronk’s poetry to his fascinating examination of the letters they exchanged, Weinfield provides important aesthetic, epistemological, and historical insights into their poetry and poetic careers. In bringing together for the first time the work of two of the most important poets of the postwar generation, The Music of Thought not only illuminates their poetry but also raises important questions about American literary history and the categories in terms of which it has generally been interpreted.

The Music of James Tenney

Author: Robert Wannamaker

Publisher: University of Illinois Press

ISBN: 0252052579

Category: Music

Page: 440

View: 5865


A work-by-work guide to the composer's groundbreaking music Robert Wannamaker's monumental two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's far-ranging oeuvre, Wannamaker offers close, aurally grounded analyses of works linked to the artist's revolutionary theories of musical form, timbre, and harmonic perception. Written as a reference work, Volume 2, A Handbook to the Pieces, presents detailed entries on Tenney's significant post-1959 experimental works (excepting pieces covered in volume 1). Wannamaker includes technical information, an analysis of intentions and goals, graphs and musical examples, historical and biographical context, and thoughts from Tenney and others on specific works. Throughout, he discusses the striking compositional ideas found in Tenney's music and, where appropriate, traces an idea's appearance from one piece to the next to reveal the evolution of the composer's art and thought. A landmark in experimental music scholarship, The Music of James Tenney is a first-of-its-kind consideration of the experimental music titan and his work.

Changing the System: The Music of Christian Wolff

Author: Dr Philip Thomas,Dr Stephen Chase

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409494055

Category: Music

Page: 284

View: 9251


Christian Wolff is a composer who has followed a distinctive path often at the centre of avant-garde activity working alongside figures such as John Cage, Merce Cunningham, and Cornelius Cardew. In a career spanning sixty years, he has produced a significant and influential body of work that has aimed to address, in a searching and provocative manner, what it means to be an experimental and socially aware artist. This book provides a wide-ranging introduction to a composer often overlooked despite his influence upon many of the major figures in new music since the 1950s from Cage to John Zorn to the new wave of experimentalists across the globe. As the first detailed analysis of the music of this prolific and highly individual composer, Changing the System: The Music of Christian Wolff contains contributions from leading experts in the field of new and experimental music, as well as from performers and composers who have worked with Wolff. The reception of Wolff's music is discussed in relation to the European avant-garde and also within the context of Wolff's association with Cage and Feldman. Music from his earliest compositions of the 1950s, the highly indeterminate scores, the politically-inspired pieces up to the most recent works are discussed in detail, both in relation to their compositional techniques, general aesthetic development, and matters of performance. The particular challenges and aesthetic issues arising from Wolff's idiosyncratic notations and the implications for performers are a central theme. Likewise, the ways in which Wolff's political persuasions - which arguably account for some of the notational methods he chooses - have been worked out through his music, are examined. With a foreword by his close associate Michael Parsons, this is a valuable addition to experimental music literature.

The Music of Silence

Author: Andrea Bocelli

Publisher: N.A

ISBN: 9781574671971

Category: Biography & Autobiography

Page: 315

View: 1215


The acclaimed singer offers a new edition of his memoir on his life and career in the form of a novel, describing the defective eyesight that left him blind at the age of twelve and his rise to the heights of success in the world of international music.

Poe and the Idea of Music

Author: Charity McAdams

Publisher: Rowman & Littlefield

ISBN: 1611462053

Category: Literary Criticism

Page: 170

View: 6660


The selling point of this book I think is that it's the only book that addresses Edgar Allan Poe's use of music from a purely literary standpoint.

The Music of the 4 Seasons Featuring Frankie Valli

Author: Robert Reynolds

Publisher: Lulu.com

ISBN: 1387927094

Category: Performing Arts

Page: 98

View: 6349


The 4 Seasons & Frankie Valli, rank among the top American vocal acts of all time. Collectively, they amassed seven #1 hits, 18 Top Ten, and an incredible 61 singles in the Hot 100. They also placed 32 LPS on the top albums charts. Their hit making years spanned more than a half-century. Their hits include: Sherry, Big Girls Don't Cry, Walk Like a Man, Rag Doll, Working My Way Back to You, Can't Take My Eyes Off of You, My Eyes Adored You, December, 1963 (Oh, What a Night), Grease... Their stardom was no overnight success, as they struggled through lean years and recorded many flops while searching for that elusive hit record. The rag-to-riches story has been told via an award-winning Broadway musical & a Clint Eastwood produced motion picture. Learn about the hits, misses, obscure album tracks and B-sides as they sang their way from delinquents to esteemed members of the R&R Hall of Fame. The book examines the music they made famous and tells of all the glorious years that passed between.

Olivier Messiaen and the Music of Time

Author: Paul Griffiths

Publisher: Faber & Faber

ISBN: 0571287301

Category: Music

Page: 72

View: 9862


Olivier Messiaen was one of the outstanding creative artists of his time. The strength of his appeal, to listeners as well as to composers, is a measure of the individuality of his music, which draws on a vast range of sources: rhythms of twentieth-century Europe and thirteenth-century India, ripe romantic harmony and brittle birdsong, the sounds of Indonesian percussion and modern electronic instruments. What binds all these together is, on one level, his unswerving devotion to praising God in his art, and on another, his independent view of how music is made. Messiaen's music offers a range of ways of experiencing time: time suspended in music of unparalleled changelessness, time racing in music of wild exuberance, time repeating itself in vast cycles of reiteration. In Olivier Messiaen and the Music of Time, leading writer and musicologist, Paul Griffiths, explores the problems of religious art, and includes searching analyses and discussions of all the major works, suggesting how they function as works of art and not only as theological symbols. This comprehensive and stimulating book covers the whole of Messiaen's output up to and including his opera, Saint Franoise d'Assise.