Real Frank Zappa Book

Author: Frank Zappa,Peter Occhiogrosso

Publisher: Simon and Schuster

ISBN: 0671705725

Category: Biography & Autobiography

Page: 358

View: 7689


Recounts the life and career of the inventive and controversial rock musician, and includes information on his philosophies on art, his opinions on the music industry, and his thoughts on raising children.

The Words and Music of Frank Zappa

Author: Kelly Fisher Lowe

Publisher: U of Nebraska Press

ISBN: 9780803260054

Category: Music

Page: 292

View: 5949


A deep look at the work of one of the most insightful and incisive critics of late 20th-century American culture.

Frank Zappa and the And

Author: Paul Carr

Publisher: Routledge

ISBN: 1317133145

Category: Music

Page: 266

View: 5909


This collection of essays, documented by an international and interdisciplinary array of scholars, represents the first academically focused volume exploring the creative idiolect of Frank Zappa. Several of the authors are known for contributing significantly to areas such as popular music, cultural, and translation studies, with expertise and interests ranging from musicology to poetics. The publication presents the reader with an understanding of the ontological depth of Zappa's legacy by relating the artist and his texts to a range of cultural, social, technological and musicological factors, as encapsulated in the book's title - Frank Zappa and the And. Zappa's interface with religion, horror, death, movies, modernism, satire, freaks, technology, resistance, censorship and the avant-garde are brought together analytically for the first time, and approached non chronologically, something that strongly complies with the non linear perspective of time Zappa highlights in both his autobiography and recordings. The book employs a variety of analytical approaches, ranging from literary and performance theory, 'horrality' and musicology, to post modern and textually determined readings, and serves as a unique and invaluable guide to Zappa's legacy and creative force.

Frank Zappa FAQ

Author: John Corcelli

Publisher: Rowman & Littlefield

ISBN: 1617136743

Category: Biography & Autobiography

Page: 328

View: 2535


FRANK ZAPPA FAQ: ALL THAT'S LEFT TO KNOW ABOUT THE FATHER OF INVENTION

Frank Zappa

Author: Barry Miles

Publisher: Atlantic Books Ltd

ISBN: 1782396780

Category: Biography & Autobiography

Page: 300

View: 7332


Barry Miles knew Frank Zappa intimately and was present at the recording of some of his most important albums. This sparkling biography brings the Zappa the musician and composer, Zappa the controversialist and Zappa the family man (despite his love of groupies, he was married for more than 30 years) together for the first time. Barry Miles' biography follows Zappa from his sickly Italian-American childhood in the 1940s (when his father, Frank senior, worked for the US military and was used to test the efficacy of new biological warfare agents) to his death from cancer in the 1990s. Miles shows how Zappa's goal had been to become a classical composer, until he realised that he would starve to death pursuing this ambition in post-war America. In an effort to make music people would actually listen to, in the mid-1960s he joined a noisy new band called 'The Mothers of Invention'. Before long, Zappa had taken over as singer, song writer and lead guitarist and together they exploded on to the San Francisco freak scene. Following the release of recordings such as Freak Out, Absolutely Free, We're Only In It For the Money and Hot Rats, Zappa's reputation in the United States and in Europe, especially the UK, Germany and Holland, took off. When the Berlin wall fell, Frank was surprised to learn that his extravagant music embodied sixties liberty for a generation of dissidents (including Vaclav Havel, who invited Zappa to be his minister for culture). Frank Zappa is an authoritative and hugely enjoyable portrait of a singular man and a vivid evocation of the West Coast scene.

Decomposition

Author: Andrew Durkin

Publisher: Pantheon

ISBN: 0307911764

Category: Music

Page: 400

View: 4062


Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.

Rock, Counterculture and the Avant-Garde, 1966äóñ1970

Author: Doyle Greene

Publisher: McFarland

ISBN: 1476624038

Category: Music

Page: 232

View: 8094


The convergence of rock music, counterculture politics and avant-garde aesthetics in the late 1960s underscored the careers of the Beatles, Frank Zappa and the Mothers of Invention, and the Velvet Underground. This book examines these artists’ relationships to the historical avant-garde (Artaud, Brecht, Dada) and neo–avant-garde (Warhol, Pop Art, minimalism), considering their work in light of debates about modernism versus postmodernism. The author analyzes the performers’ use of dissonance and noise within popular music, the role of social commentary and controversial topics in songs, and the experiments with concert and studio performance. Albums discussed include Sgt. Pepper’s Lonely Hearts Club Band, The White Album, Freak Out!, We’re Only in It for the Money, The Velvet Underground and Nico and White Light/White Heat, as well as John Lennon’s collaborations with Yoko Ono, the Zappa-produced Trout Mask Replica by Captain Beefheart and the Magic Band, and Nico’s The Marble Index.

Mavericks and Other Traditions in American Music

Author: Michael Broyles

Publisher: Yale University Press

ISBN: 0300127898

Category: Music

Page: 400

View: 5302


From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music—classical, popular, and jazz—and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.