Virginia Woolf and the Visible World

2007-02
Literary Criticism

Author: Emily Dalgarno

Publisher: Cambridge University Press

ISBN: 9780521033602

Category: Literary Criticism

Page: 236

View: 9677


In Virginia Woolf and the Visible World, Emily Dalgarno examines Woolf's engagement with notions of the subject and codes of the visible. Dalgarno examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. The solar eclipse of 1927 marks a dividing line in Woolf's career, after which she portrayed the visible world in terms of light, and shifted her interest from painting to photography. Dalgarno offers textual analyses of Woolf's individual works, including To the Lighthouse, The Waves and Three Guineas, arguing for the importance of her ongoing interest in Greek translation. In later chapters, she explores the theory of the subject that emerges from Woolf's representation of the visible in her autobiography.

Virginia Woolf

1994-12-19
Literary Criticism

Author: J. Stape

Publisher: Springer

ISBN: 1349238074

Category: Literary Criticism

Page: 195

View: 4780


This volume provides multi-faceted perspectives on Virginia Woolf as observed and remembered by relatives, close friends, acquaintances and fellow writers. Gathered from scattered sources, the forty-one pieces - some published for the first time - provide an intimate portrait of a fascinating individual who many consider this century's most significant woman writer. This new and varied collection sheds light on the private and public personalities of Virginia Woolf the subtle poetic novelist, the devoted friend and the influential and successful publisher.

Jane Austen, Virginia Woolf and Worldly Realism

2016-12-07
Literary Criticism

Author: Pam Morris

Publisher: Edinburgh University Press

ISBN: 1474419143

Category: Literary Criticism

Page: 224

View: 5681


Austen and Woolf are materialists, this book argues. 'Things' in their novels give us entry into some of the most contentious issues of the day. This wholly materialist understanding produces worldly realism, an experimental writing practice which asserts egalitarian continuity between people, things and the physical world. This radical redistribution of the importance of material objects and biological existence, challenges the traditional idealist hierarchy of mind over matter that has justified gender, class and race subordination. Entering their writing careers at the critical moments of the French Revolution and the First World War respectively, and sharing a political inheritance of Scottish Enlightenment scepticism, Austen's and Woolf's rigorous critiques of the dangers of mental vision unchecked by facts is more timely than ever in the current world dominated by fundamentalist neo-liberal, religious and nationalist belief systems.

Virginia Woolf and the World of Books

2018-09-27
Literary Criticism

Author: Nicola Wilson,Claire Battershill

Publisher: Liverpool University Press

ISBN: 1942954573

Category: Literary Criticism

Page: 312

View: 4067


A celebration of the centenary of the founding of Leonard and Virginia Woolf’s Hogarth Press.

Virginia Woolf's Late Cultural Criticism

2013-08-01
Literary Criticism

Author: Alice Wood

Publisher: A&C Black

ISBN: 1441148728

Category: Literary Criticism

Page: 208

View: 9189


After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly concerned with overt social and political commentary in her later writings, which are preoccupied with dissecting the links between patriarchy, patriotism, imperialism and war. This book unravels the complex textual histories of The Years (1937), Three Guineas (1938) and Between the Acts (1941) to expose the genesis and evolution of Virginia Woolf's late cultural criticism. Fusing a feminist-historicist approach with the practices and principles of genetic criticism, this innovative study scrutinizes a range of holograph, typescript and proof documents within their historical context to uncover the writing and thinking processes that produced Woolf's cultural analysis during 1931-1941. By demonstrating that Woolf's late cultural criticism developed through her literary experimentalism as well as in response to contemporary social, political and economic upheavals, this book offers a fresh perspective on her emergence as a cultural commentator in her final decade and paves the way for further genetic enquiries in the field.

Katherine Mansfield and Virginia Woolf

2018-08-30
Literary Criticism

Author: Gerri Kimber

Publisher: Edinburgh University Press

ISBN: 1474439675

Category: Literary Criticism

Page: 264

View: 3257


Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices

Virginia Woolf in Richmond

2018-11-15
Biography & Autobiography

Author: Peter Fullagar

Publisher: Aurora Metro Publications Ltd.

ISBN: 1912430045

Category: Biography & Autobiography

Page: 240

View: 7521


"I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, the author reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors. Reviews “Lively, diverse and readable, this book captures beautifully Virginia Woolf’s time in leafy Richmond, her mixed emotions over this exile from central London, and its influence on her life and work. This illuminating book is a valuable addition to literary history, and a must-read for every Virginia Woolf enthusiast...” - Emma Woolf, writer, journalist, presenter and Virginia Woolf’s great niece About the Author Peter Fullagar is a former English Language teacher, having lived and worked in diverse locations such as Tokyo and Moscow. He became fascinated by the works of Virginia Woolf while writing his dissertation for his Masters in English Literature and Language. During his teaching career he was head of department at a private college in West London. He has written articles and book reviews for the magazine English Teaching Professional and The Huffington Post. His first short story will be published in an anthology entitled Tempest in March 2019. Peter was recently interviewed for the forthcoming film about the project to fund, create and install a new full-sized bronze statue of Virginia Woolf in Richmond-upon-Thames.

Hellenism and Loss in the Work of Virginia Woolf

2016-04-22
Literary Criticism

Author: Theodore Koulouris

Publisher: Routledge

ISBN: 1317122682

Category: Literary Criticism

Page: 252

View: 4626


Taking up Virginia Woolf's fascination with Greek literature and culture, this book explores her engagement with the nineteenth-century phenomenon of British Hellenism and her transformation of that multifaceted socio-cultural and political reality into a particular textual aesthetic, which Theodore Koulouris defines as 'Greekness.' Woolf was a lifelong student of Greek, but from 1907 to1909 she kept notes on her Greek readings in the Greek Notebook, an obscure and largely unexamined manuscript that contains her analyses of a number of canonical Greek texts, including Plato's Symposium, Homer's Odyssey, and Euripides' Ion. Koulouris's examination of this manuscript uncovers crucial insights into the early development of Woolf's narrative styles and helps establish the link between Greekness and loss. Woolf's 'Greekness,' Koulouris argues, enabled her to navigate male and female appropriations of British Hellenism and provided her with a means of articulating loss, whether it be loss of a great Hellenic past, women's vocality, immediate family members, or human civilization during the formative decades of the twentieth century. In drawing attention to the centrality of Woolf's early Greek studies for the elegiac quality of her writing, Koulouris maps a new theoretical terrain that involves reassessing long-established views on Woolf and the Greeks.
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