The Zoo and Screen Media

Author: Michael Lawrence,Karen Lury

Publisher: Springer

ISBN: 113753561X

Category: Performing Arts

Page: 290

View: 1676


This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

A Narrative Compass

Author: Betsy Gould Hearne,Roberta Seelinger Trites

Publisher: University of Illinois Press

ISBN: 0252076117

Category: Social Science

Page: 266

View: 342


Exploring the narratives that orient the lives of women scholars

"A Zoo of Lusts…A Harem of Fondled Hatreds"

Author: Deveryle James

Publisher: Cambridge Scholars Publishing

ISBN: 1443830771

Category: Social Science

Page: 175

View: 4758


“A Zoo of Lusts . . . A Harem of Fondled Hatred”: An Historical Interrogation of Sexual Violence against Women in Film explores the pernicious nature of rape in films from the silent era to the 21st century. Film is an excellent medium through which to hold this discussion, because film, like the body, as Judith Butler, et al. suggest, is fluid and indeterminate, and it is often contemplated as a site for negotiation and resistance. This book addresses three major questions: (1) why does rape persist as a recurring theme in film, (2) how is this subject manifested in film and (3) what does this manifestation say about the act of rape itself, its victims, its perpetrators and our culture? Rape is a sexual manifestation of aggression with the purpose of overpowering, humiliating, and hurting its victims. An examination of media accounts has revealed that before the evolution of feminist film theory and the dismissal of the Production Code, the rape victim in films usually fits into one “neat” set of criteria (e.g., young adult, white, single, middle class, heterosexual). When the victim’s physical makeup deviated from the traditional set of criteria (e.g., a child or a mature person of color, married, poor, homosexual), the rape was portrayed more violently. The research for this book dwells on the portrayal of the latter type of victims because their sexual violations evoke an absorbing commentary on society’s reaction toward those who do not easily fit within the status quo. What is it about the makeup of these victims that makes their violations more horrific?

Encyclopedia of Pop Music Aliases, 1950-2000

Author: Bob Leszczak

Publisher: Rowman & Littlefield

ISBN: 1442240083

Category: Music

Page: 494

View: 3879


Bob Leszczak has amassed several hundred examples of musical pseudonyms in The Encyclopedia of Pop Music Aliases, 1950-2000, describing the history of these artists from their obscure origins under another name to their rise to prominence as a major musical act.

Mediaweek

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Advertising

Page: N.A

View: 8900


Real Scientists Don’t Wear Ties

Author: Sidney Perkowitz

Publisher: CRC Press

ISBN: 100070274X

Category: Mathematics

Page: 328

View: 3103


Real Scientists Don’t Wear Ties links science to general and popular culture and everyday life in an easy-to-understand style. When a gifted writer of science selects his best pieces published in the world’s most reputable periodicals such as Nature, Discover, and MIT Technology Review, we get an eminently readable collection of his varied work in book form. That it covers all-time relevant topics like quantum physics, gravitational waves, genetic engineering, space exploration, and artificial intelligence is an added delight. Prof. Perkowitz also discusses how science can be found in medical practice, cooking, soccer, and art, and also science and science fiction in the media. On the lighter side, he reports on his efforts to teach a computer to understand poetry, explains why scientists resist dressing up, and shows that unlike many people, scientists actually enjoy math.

Text and Drugs and Rock 'n' Roll

Author: Simon Warner

Publisher: Bloomsbury Publishing USA

ISBN: 1441171126

Category: Music

Page: 544

View: 8978


Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.

Audiophotography

Author: David M. Frohlich

Publisher: Springer Science & Business Media

ISBN: 1402022107

Category: Psychology

Page: 227

View: 6395


If you read the history of any new communication medium such as the cinema, television or radio, it always happens to be bound up with advances in some underlying technology. For example, cinema was born out of the rapid projection of a series of still images on a celluloid film strip. The difficulty of synchronizing sound recordings with the resulting moving images led to about 30 years of silent films - until such time as the technical problems were solved. In between the inventions, media seem to grow and develop at a slower pace, as content producers and consumers experiment with the most satisfactory and stimulating ways of communicating with each other. In the same example, silent film-makers eventually found ways of adding dialogue through scene titles and having music played during the projection of their films. This book is about the next chapter in the history of photography, which is emerging from a relatively stable period into a chaos of new inventions. Photography as we know it is at the same point as the silent films of 1926. The transition from analog to digital photography is spawning many new ways of taking, manipulating and sharing photographs. It is also bringing photography and videography closer together by unifying sound, still and moving images in the same digital medium.

The Sustainable Development Theory: A Critical Approach, Volume 2

Author: Ion Pohoaţă,Delia Elena Diaconaşu,Vladimir Mihai Crupenschi

Publisher: Springer Nature

ISBN: 3030613224

Category: Business & Economics

Page: 285

View: 4919


This book explores the present conflictual relationship between the economy, the environment, and society. The current mainstream economic model is analysed from the perspective of the founding economists to review its suitability to tackle issues of sustainable development. The problems of redistribution and social justice are debated at length; alongside those concerning the giant state, degrowth, and a vision of sustainability that is founded on the idea of a self-regulating free market economy. Business cycle sustainability, anti-crisis therapy, technological unemployment, the natural rate of interest, and the Bruntland matrix are also examined. This book aims to present a holistic approach to sustainable development where social, ecological, and economic components are balanced. It will be relevant to students and researchers interested in this topic.

Monster Nation

Author: David Wellington

Publisher: Open Road Media

ISBN: 1480495557

Category: Fiction

Page: 304

View: 4895


The second entry in this “inventive and exciting” zombie series that began with Monster Island (Publishers Weekly). This is where it begins. This is where the end of the world begins? She wakes up alone and feeling like she's half-dead. She can't remember her name. She staggers outside, looking for help—and that's when she sees that the dead have returned to life, that zombies are running in the streets and devouring the living. And she's one of them. She isn't breathing. The zombies leave her alone. Because they know she's one of their kind. And yet she differs from the brainless ghouls around her in some crucial ways. Somehow she's kept her intelligence intact, if not her memory. And being dead has certain compensations. She has developed strange powers. She calls herself Nilla, and all she knows is that staying alive only gets harder after you die? Meanwhile the National Guard has its hands full with the worst epidemic ever to strike the American west. From California to Colorado every town, every city is being overrun. Captain Bannerman Clark isn't prepared for this. He's semi-retired and he hasn't fired a gun in years, not since the Vietnam war. Yet it seems there's no one else around to take charge. As the world we know collapses he must find in himself the brains, the guts, and the moral courage to lead the survivors to safety, if there's any to be had. Meanwhile, behind the scenes, shadowy players are just beginning to show their hands. There's more going on here than meets the eye, and Clark and Nilla both have parts to play in a game they can't comprehend?